Contents ( 26)
- Contents
- The Last Séance
- In a Glass Darkly
- S.O.S.
- The Adventure of the Egyptian Tomb
- The Fourth Man
- The Idol House of Astarte
- The Gipsy
- Philomel Cottage
- The Lamp
- The Dream
- Wireless
- The Wife of the Kenite
- The Mystery of the Blue Jar
- The Strange Case of Sir Arthur Carmichael
- The Blue Geranium
- The Call of Wings
- The Flock of Geryon
- The Red Signal
- The Dressmaker’s Doll
- The Hound of Death
- Bibliography
- About the Author
- Also by Agatha Christie
- Copyright
- About the Publisher
Mrs Harter rang the bell for her maid, Elizabeth.
Elizabeth was a tall gaunt woman of sixty. Beneath an unbending exterior she concealed a wealth of affection and tenderness for her mistress.
‘Elizabeth,’ said Mrs Harter when her faithful retainer had appeared, ‘you remember what I told you? The top left-hand drawer of my bureau. It is locked, the long key with the white label. Everything is there ready.’
‘Ready, ma’am?’
‘For my burial,’ snorted Mrs Harter. ‘You know perfectly well what I mean, Elizabeth. You helped me to put the things there yourself.’
Elizabeth’s face began to work strangely.
‘Oh, ma’am,’ she wailed, ‘don’t dwell on such things. I thought you was a sight better.’
‘We have all got to go sometime or another,’ said Mrs Harter practically. ‘I am over my three score years and ten, Elizabeth. There, there, don’t make a fool of yourself. If you must cry, go and cry somewhere else.’
Elizabeth retired, still sniffing.
Mrs Harter looked after her with a good deal of affection.
‘Silly old fool, but faithful,’ she said, ‘very faithful. Let me see, was it a hundred pounds or only fifty I left her? It ought to be a hundred. She has been with me a long time.’
The point worried the old lady and the next day she sat down and wrote to her lawyer asking if he would send her will so that she might look over it. It was that same day that Charles startled her by something he said at lunch.
‘By the way, Aunt Mary,’ he said, ‘who is that funny old josser up in the spare room? The picture over the mantelpiece, I mean. The old johnny with the beaver and side whiskers?’
Mrs Harter looked at him austerely.
‘That is your Uncle Patrick as a young man,’ she said.
‘Oh, I say, Aunt Mary, I am awfully sorry. I didn’t mean to be rude.’
Mrs Harter accepted the apology with a dignified bend of the head.
Charles went on rather uncertainly:
‘I just wondered. You see—’
He stopped undecidedly and Mrs Harter said sharply:
‘Well? What were you going to say?’
‘Nothing,’ said Charles hastily. ‘Nothing that makes sense, I mean.’
For the moment the old lady said nothing more, but later that day, when they were alone together, she returned to the subject.
‘I wish you would tell me, Charles, what it was made you ask me about that picture of your uncle.’
Charles looked embarrassed.
‘I told you, Aunt Mary. It was nothing but a silly fancy of mine—quite absurd.’
‘Charles,’ said Mrs Harter in her most autocratic voice, ‘I insist upon knowing.’
‘Well, my dear aunt, if you will have it, I fancied I saw him—the man in the picture, I mean—looking out of the end window when I was coming up the drive last night. Some effect of the light, I suppose. I wondered who on earth he could be, the face was so—early Victorian, if you know what I mean. And then Elizabeth said there was no one, no visitor or stranger in the house, and later in the evening I happened to drift into the spare room, and there was the picture over the mantelpiece. My man to the life! It is quite easily explained, really, I expect. Subconscious and all that. Must have noticed the picture before without realizing that I had noticed it, and then just fancied the face at the window.’