Contents (26)
- Contents
- The Last Séance
- In a Glass Darkly
- S.O.S.
- The Adventure of the Egyptian Tomb
- The Fourth Man
- The Idol House of Astarte
- The Gipsy
- Philomel Cottage
- The Lamp
- The Dream
- Wireless
- The Wife of the Kenite
- The Mystery of the Blue Jar
- The Strange Case of Sir Arthur Carmichael
- The Blue Geranium
- The Call of Wings
- The Flock of Geryon
- The Red Signal
- The Dressmaker’s Doll
- The Hound of Death
- Bibliography
- About the Author
- Also by Agatha Christie
- Copyright
- About the Publisher
‘“If it should come to it, Monsieur Raoul, I am very strong with my hands—very strong with my hands.”
‘I had never noticed her hands particularly before. I looked at them now and shuddered in spite of myself. Squat brutal fingers, and as Felicie had said, terribly strong . . . I cannot explain to you the nausea that swept over me. With hands such as these her father must have strangled her mother . . .
‘That was the last time I ever saw Felicie Bault. Immediately afterwards I went abroad—to South America. I returned from there two years after her death. Something I had read in the newspapers of her life and sudden death. I have heard fuller details tonight—from you—gentlemen! Felicie 3 and Felicie 4—I wonder? She was a good actress, you know!’
The train suddenly slackened speed. The man in the corner sat erect and buttoned his overcoat more closely.
‘What is your theory?’ asked the lawyer, leaning forward.
‘I can hardly believe—’ began Canon Parfitt, and stopped.
The doctor said nothing. He was gazing steadily at Raoul Letardeau.
‘The clothes from your back, the soul from your body,’ quoted the Frenchman lightly. He stood up. ‘I say to you, Messieurs, that the history of Felicie Bault is the history of Annette Ravel. You did not know her, gentlemen. I did. She was very fond of life . . .’
His hand on the door, ready to spring out, he turned suddenly and bending down tapped Canon Parfitt on the chest.
‘M. le docteur over there, he said just now, that all this’—his hand smote the Canon’s stomach, and the Canon winced—‘was only a residence. Tell me, if you find a burglar in your house what do you do? Shoot him, do you not?’
‘No,’ cried the Canon. ‘No, indeed—I mean—not in this country.’
But he spoke the last words to empty air. The carriage door banged.
The clergyman, the lawyer and the doctor were alone. The fourth corner was vacant.
The Idol House of Astarte
‘And now, Dr Pender, what are you going to tell us?’
The old clergyman smiled gently.
‘My life has been passed in quiet places,’ he said. ‘Very few eventful happenings have come my way. Yet once, when I was a young man, I had one very strange and tragic experience.’
‘Ah!’ said Joyce Lemprière encouragingly.
‘I have never forgotten it,’ continued the clergyman. ‘It made a profound impression on me at the time, and to this day by a slight effort of memory I can feel again the awe and horror of that terrible moment when I saw a man stricken to death by apparently no mortal agency.’
‘You make me feel quite creepy, Pender,’ complained Sir Henry.
‘It made me feel creepy, as you call it,’ replied the other. ‘Since then I have never laughed at the people who use the word atmosphere. There is such a thing. There are certain places imbued and saturated with good or evil influences which can make their power felt.’