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Contents (109)
  1. Contents
  2. 1
  3. 2
  4. 3
  5. 4
  6. 5
  7. 6
  8. 7
  9. 8
  10. 9
  11. 10
  12. 11
  13. 12
  14. 13
  15. 14
  16. 15
  17. 16
  18. 17
  19. 18
  20. 19
  21. 20
  22. 21
  23. 22
  24. 23
  25. 24
  26. 25
  27. 26
  28. 27
  29. 28
  30. 29
  31. 30
  32. 31
  33. 32
  34. 33
  35. 34
  36. 35
  37. 36
  38. 37
  39. 38
  40. 39
  41. 40
  42. 41
  43. 42
  44. 43
  45. 44
  46. 45
  47. 46
  48. 47
  49. 48
  50. 49
  51. 50
  52. 51
  53. 52
  54. 53
  55. 54
  56. 55
  57. 56
  58. 57
  59. 58
  60. 59
  61. 60
  62. 61
  63. 62
  64. 63
  65. 64
  66. 65
  67. 66
  68. 67
  69. 68
  70. 69
  71. 70
  72. 71
  73. 72
  74. 73
  75. 74
  76. 75
  77. 76
  78. 77
  79. 78
  80. 79
  81. 80
  82. 81
  83. 82
  84. 83
  85. 84
  86. 85
  87. 86
  88. 87
  89. 88
  90. 89
  91. 90
  92. 91
  93. 92
  94. 93
  95. 94
  96. 95
  97. 96
  98. 97
  99. 98
  100. 99
  101. The South of France
  102. Author’s Note
  103. Reading Group Guide
  104. A Conversation with the Author
  105. Acknowledgments
  106. About the Author

“You know of Saint Dismas, the good thief? Another saint with a bad past. He was crucified beside Jesus.”

“You mind if I hope for a better ending?”

The monk laughed. “You are funny, Signore Perrone. I am certain your life will turn out well. Continua così. Avanti così.”

“Stay on course?”

“Sì. My teacher, an older, wiser brother, always say that.”

“Stay on course,” I repeated and was about to say goodbye to Brother Francesco, when he stopped me.

“Ha un amico a Firenze?”

“Do I have a friend in Florence? You mean Alexandra, the America girl?”

“No. A man. He comes here, ogni giorno.”

“Every day? What do you mean?”

“Lui aspetta.”

“He waits?”

“Sì. I thought he waits for you.”

“Why?”

“Because he is here when you arrive and gone when you leave.”

“Where?”

The monk guided me out of the alley and pointed to a spot along the east wall of the square that led to the entrance.

“There,” he said, indicating a low set of stone stairs leading to an old wooden doorway. “That is the entrance to—how you say—the dormitory, where the monks live. Where I live. But we do not use that entry. We go in through the cloister.”

“What does he look like, this man who waits?”

“Tall,” he said and made a move to show the guy was also weighty or muscled. But he could not describe his face because he “wears un cappello, a hat, and sunglasses—and he is always fumando.” He mimed a smoker dragging on a cigarette.

I asked him to let me know if the guy showed up, and he said maybe it was a “coincidenza.”

“Maybe,” I said. “But please let me know if you see him. I just want to meet him—see if I know him.”

“I will, as you Americans say, keep an out eye,” he said.

“An eye out,” I said and had to smile.

32

The idea of a stranger watching had gotten to me. I knew I would not be able to sit still or read. I checked out the stairs Brother Francesco had indicated, did a three-sixty and scanned the piazza—people milling about, some tourists taking pictures, a few monks heading toward the cloister. I stayed there a few minutes, checking out men in hats—too many—anyone smoking a cigarette—even more. Then I gave up. But now, everything that had been bothering me was buzzing in my brain—the idea of stealing the journal, Alexandra’s advance and retreat, Quattrocchi’s odd disappearance. I had left him several messages and texts; now I tried his cell again, but it went immediately to voicemail. This time, I didn’t bother to leave a message. Instead, I headed to the university.

Signora Moretti was in Quattrocchi’s outer office.

“Professore Quattrocchi, is he in? I need to speak with him.”

“No,” she said and went back to her typing.

“No what? He’s not in or I can’t speak to him?”

She glanced up, then down, and started typing again.