Back The Last Mona Lisa Save as PDF
Contents (109)
  1. Contents
  2. 1
  3. 2
  4. 3
  5. 4
  6. 5
  7. 6
  8. 7
  9. 8
  10. 9
  11. 10
  12. 11
  13. 12
  14. 13
  15. 14
  16. 15
  17. 16
  18. 17
  19. 18
  20. 19
  21. 20
  22. 21
  23. 22
  24. 23
  25. 24
  26. 25
  27. 26
  28. 27
  29. 28
  30. 29
  31. 30
  32. 31
  33. 32
  34. 33
  35. 34
  36. 35
  37. 36
  38. 37
  39. 38
  40. 39
  41. 40
  42. 41
  43. 42
  44. 43
  45. 44
  46. 45
  47. 46
  48. 47
  49. 48
  50. 49
  51. 50
  52. 51
  53. 52
  54. 53
  55. 54
  56. 55
  57. 56
  58. 57
  59. 58
  60. 59
  61. 60
  62. 61
  63. 62
  64. 63
  65. 64
  66. 65
  67. 66
  68. 67
  69. 68
  70. 69
  71. 70
  72. 71
  73. 72
  74. 73
  75. 74
  76. 75
  77. 76
  78. 77
  79. 78
  80. 79
  81. 80
  82. 81
  83. 82
  84. 83
  85. 84
  86. 85
  87. 86
  88. 87
  89. 88
  90. 89
  91. 90
  92. 91
  93. 92
  94. 93
  95. 94
  96. 95
  97. 96
  98. 97
  99. 98
  100. 99
  101. The South of France
  102. Author’s Note
  103. Reading Group Guide
  104. A Conversation with the Author
  105. Acknowledgments
  106. About the Author

I sucked in a breath and cadged a look at the front desk: Chiara going through papers, Beatrice sorting index cards; then at the two men, both with open books, both typing on their laptops.

I placed the carton’s lid on one of the wooden book holders the library provided, using it as a kind of shield, around that a few stacks of folders to create a little fort though I took pains to make it look unintentional. Then, I took the notebook out of the carton and untied the string. The cover looked worn, and I raised it carefully. The paper was unlined, slightly yellowed.

At the bottom of the first page, a signature, in pencil, small and neat: Vincenzo Peruggia.

I reached for my backpack to retrieve the sample I had xeroxed from the back of the mug shot and brought with me.

I held it beside the journal page and compared the writing. It was identical.

Below Peruggia’s signature in the same tiny script was one line: La mia storia.

5

21 dicembre 1914

Murate Prison, Firenze, Italia

Non ho dormito in molte notti…

I have not slept in many nights.

The mattress is thin. With every turn I feel the stone floor below. The cell is freezing. The plaster walls damp. The prison unheated. My blanket is threadbare and scratchy. I pace to keep warm. I count my steps. One foot in front of the other. Six steps one way. Nine the other.

There is no sink. No toilet. Once a week we are permitted a cold shower. There is one barred window. But not really a window at all. It looks into a narrow corridor where the guards spy on us. The only relief is our daily exercise in the courtyard. A place the sun dares not shine.

I think of my trial and feel shame. I argued with the judge and prosecutor and my own lawyer. I played the madman. The victim. The so-called patriot. But I am no patriot.

My sentence was fair. One year and three months. I deserved worse.

Every day I receive gifts. Cigarettes. Wine. Food. Letters from women who say they love me! But the only gift of value is the notepad and pencils given to me by a guard who took pity on me. If Simone could see me now would she think me a fool? In prison while those two scoundrels go free. I think of them day and night. Of getting what I am owed. Of getting even.

I try not to shiver as I write. To hold the pencil firm.

I close my eyes and imagine our apartment on rue Ramponneau. I see myself walking up the old wooden stairs and opening the front door. Simone greets me. I feel such sadness and such longing my eyes fill with tears.

But I need to think how to begin. How to explain how everything in my life went wrong.

I would say it began with good news.