Chapters (48)
- Dedication
- Epigraph
- PROLOGUE
- Part 1: The Wedding That Wasn’t
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- From THE NEW DEMONPEDIA.com
- Chapter 10
- Chapter 11
- Chapter 12: The Journal of Cecile Cabot—Book One
- The Journal of Cecile Cabot—Book One
- Chapter 13
- Chapter 14
- Chapter 15
- Part 2: The Trip to Paris
- Chapter 16
- Chapter 17
- Chapter 18: The Journal of Cecile Cabot—Book Two
- The Journal of Cecile Cabot—Book Two
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24: The Journal of Cecile Cabot—Book Three
- The Journal of Cecile Cabot—Book Three
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Part 3: Esmé’s Secret
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- EPILOGUE
- Acknowledgments
- Discover More
- By Constance Sayers
Even late into the evening, the cafés were packed. Montparnasse on a busy night was a symphony of sounds: conversations in French, English, and German; the clinking of cups against saucers; the street music of American jazz mixed with old-world accordions, both played with deft hands. Depending on where you turned your head, a different Montparnasse filled your ears.
We moved around all night, finally settling at Le Dôme Café, known as the American café. Inside, I could make out the drawl of the Americans’ accents, which sound remarkably different from those of their clipped British cousins. Halfway through my second glass of champagne, Hadley Hemingway tugged on my arm.
“That is the modernist French painter Émile Giroux.” She pointed to a man in the corner. “He wants to meet you.” The painter looked embarrassed and blushed. Then he turned his head and was fully absorbed in a conversation with the painter Chagall.
“I’m not sure what a modernist painter is?” I had been to the Louvre several times, but painters were Esmé’s territory.
“He’s defying convention,” she said brightly.
When my expression didn’t change, she laughed. “The legs are long and out of proportion,” she said. “The colors are crude.”
“So he’s not very good?”
“Oh no.” She motioned for me to come closer. “He’s quite good. In fact, he’s the best here. It doesn’t take much to copy something—he sees it differently.”
“Painters are my sister’s weakness.” I nodded over to Esmé, who came to the café on her own. She and a painter had struck up a conversation near the bar. With each drink they’d begun leaning into each other like rotting trees.
While champagne flowed, couples circulated, coming in from the Ritz, the Dingo, and the Poirier. Everyone raved about the circus.
“So was it real?” Ernest Hemingway lit a cigarette, and I could barely make out the words. I leaned toward him, straining to hear.
“Yes, I was wondering—how did you make the building appear out of nowhere? Was it lighting?” This question came from the bearded Ezra Pound.
Sylvie and I exchanged glances. We couldn’t reveal what went on inside the circus. Ever. People wouldn’t understand. Moreover, Father forbade it.
Esmé answered from her perch on the bar, “We can’t say.” She smiled mischievously, knowing the comment only made her more alluring.
“Ahh, you aren’t being good sports.” Hemingway pointed his cigarette at her and ordered a beer. “Just one secret, come on.” A big man, he pounded the table a lot when he spoke, quite confident that people wanted to hear what he had to say.