Back The Ladies of the Secret Circus
Chapters (48)
  1. Dedication
  2. Epigraph
  3. PROLOGUE
  4. Part 1: The Wedding That Wasn’t
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. From THE NEW DEMONPEDIA.com
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12: The Journal of Cecile Cabot—Book One
  18. The Journal of Cecile Cabot—Book One
  19. Chapter 13
  20. Chapter 14
  21. Chapter 15
  22. Part 2: The Trip to Paris
  23. Chapter 16
  24. Chapter 17
  25. Chapter 18: The Journal of Cecile Cabot—Book Two
  26. The Journal of Cecile Cabot—Book Two
  27. Chapter 19
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Chapter 23
  32. Chapter 24: The Journal of Cecile Cabot—Book Three
  33. The Journal of Cecile Cabot—Book Three
  34. Chapter 25
  35. Chapter 26
  36. Chapter 27
  37. Chapter 28
  38. Chapter 29
  39. Chapter 30
  40. Part 3: Esmé’s Secret
  41. Chapter 31
  42. Chapter 32
  43. Chapter 33
  44. Chapter 34
  45. EPILOGUE
  46. Acknowledgments
  47. Discover More
  48. By Constance Sayers

Even late into the evening, the cafés were packed. Montparnasse on a busy night was a symphony of sounds: conversations in French, English, and German; the clinking of cups against saucers; the street music of American jazz mixed with old-world accordions, both played with deft hands. Depending on where you turned your head, a different Montparnasse filled your ears.

We moved around all night, finally settling at Le Dôme Café, known as the American café. Inside, I could make out the drawl of the Americans’ accents, which sound remarkably different from those of their clipped British cousins. Halfway through my second glass of champagne, Hadley Hemingway tugged on my arm.

“That is the modernist French painter Émile Giroux.” She pointed to a man in the corner. “He wants to meet you.” The painter looked embarrassed and blushed. Then he turned his head and was fully absorbed in a conversation with the painter Chagall.

“I’m not sure what a modernist painter is?” I had been to the Louvre several times, but painters were Esmé’s territory.

“He’s defying convention,” she said brightly.

When my expression didn’t change, she laughed. “The legs are long and out of proportion,” she said. “The colors are crude.”

“So he’s not very good?”

“Oh no.” She motioned for me to come closer. “He’s quite good. In fact, he’s the best here. It doesn’t take much to copy something—he sees it differently.”

“Painters are my sister’s weakness.” I nodded over to Esmé, who came to the café on her own. She and a painter had struck up a conversation near the bar. With each drink they’d begun leaning into each other like rotting trees.

While champagne flowed, couples circulated, coming in from the Ritz, the Dingo, and the Poirier. Everyone raved about the circus.

“So was it real?” Ernest Hemingway lit a cigarette, and I could barely make out the words. I leaned toward him, straining to hear.

“Yes, I was wondering—how did you make the building appear out of nowhere? Was it lighting?” This question came from the bearded Ezra Pound.

Sylvie and I exchanged glances. We couldn’t reveal what went on inside the circus. Ever. People wouldn’t understand. Moreover, Father forbade it.

Esmé answered from her perch on the bar, “We can’t say.” She smiled mischievously, knowing the comment only made her more alluring.

“Ahh, you aren’t being good sports.” Hemingway pointed his cigarette at her and ordered a beer. “Just one secret, come on.” A big man, he pounded the table a lot when he spoke, quite confident that people wanted to hear what he had to say.