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Chapters (48)
  1. Dedication
  2. Epigraph
  3. PROLOGUE
  4. Part 1: The Wedding That Wasn’t
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. From THE NEW DEMONPEDIA.com
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12: The Journal of Cecile Cabot—Book One
  18. The Journal of Cecile Cabot—Book One
  19. Chapter 13
  20. Chapter 14
  21. Chapter 15
  22. Part 2: The Trip to Paris
  23. Chapter 16
  24. Chapter 17
  25. Chapter 18: The Journal of Cecile Cabot—Book Two
  26. The Journal of Cecile Cabot—Book Two
  27. Chapter 19
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Chapter 23
  32. Chapter 24: The Journal of Cecile Cabot—Book Three
  33. The Journal of Cecile Cabot—Book Three
  34. Chapter 25
  35. Chapter 26
  36. Chapter 27
  37. Chapter 28
  38. Chapter 29
  39. Chapter 30
  40. Part 3: Esmé’s Secret
  41. Chapter 31
  42. Chapter 32
  43. Chapter 33
  44. Chapter 34
  45. EPILOGUE
  46. Acknowledgments
  47. Discover More
  48. By Constance Sayers

“In my estimation, yes,” said Barrow, leaning in. “The canvas on your painting is the same, down to the wraps and the hardware of the other ones from that time period. I could set that painting next to another one and you could see the blue he used. He loved muted turquoise and it wasn’t an easy color to paint, but he used it in all his works. That it isn’t finished is also an intriguing detail giving credence to it being one of his final paintings.”

“To think it was hanging in the hallway next to the powder room all these years,” said Lara.

Barrow laughed. “So many valuable paintings were in barns or in attics, especially after the Second World War.” He leaned in. “If you leave the painting with the institute, I will give you a definitive answer. I don’t know your plans for the painting’s future, Ms. Barnes, but I do know that the Musée d’Orsay would be a fine home for it should we all agree that it’s authentic.”

While Lara had thought about parting with the painting, she wasn’t prepared to make a decision this fast; plus, she’d need to consult with Audrey. Gaston, sensing her unease, tapped his fingers on the table. “I don’t think Lara has thought much about the painting’s future yet. This is all so new.”

“Well, Gaston,” said Barrow. “I’m not sure carting it around is exactly the best plan for what might be a French national treasure.”

The weight of this hit Lara suddenly. “How valuable is it, really?”

Barrow shrugged. “In one of the auction houses, ten million, especially if it is proved to be one of his final paintings.”

“You might consider keeping it locked in the institute’s vault, not that the Tumi you’re carting around isn’t doing a wonderful job of securing it.” Barrow winked at Gaston.

Chapter 17

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During a breakfast of croissants and café au laits, Barrow had called saying another Giroux specialist was excited at the prospect of seeing the painting and would be driving up from Nice that morning. Barrow had also been working most of the night enhancing Lara’s translation of the diary, adding to and fixing missing entries.

“I wonder if there are more journals?” Gaston settled into reading her notes.

“I don’t know,” said Lara, lying. While Althacazur had promised her a scavenger hunt where she’d find more, so far there had been nothing.

After he’d finished reading, Gaston flagged the waiter for another espresso. “I am going to see a few art contacts up in Saint-Denis. The art is cheap up there. Would you care to join me?”