Chapters (48)
- Dedication
- Epigraph
- PROLOGUE
- Part 1: The Wedding That Wasn’t
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- From THE NEW DEMONPEDIA.com
- Chapter 10
- Chapter 11
- Chapter 12: The Journal of Cecile Cabot—Book One
- The Journal of Cecile Cabot—Book One
- Chapter 13
- Chapter 14
- Chapter 15
- Part 2: The Trip to Paris
- Chapter 16
- Chapter 17
- Chapter 18: The Journal of Cecile Cabot—Book Two
- The Journal of Cecile Cabot—Book Two
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24: The Journal of Cecile Cabot—Book Three
- The Journal of Cecile Cabot—Book Three
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Part 3: Esmé’s Secret
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- EPILOGUE
- Acknowledgments
- Discover More
- By Constance Sayers
“Don’t be ridiculous.” Audrey was a slight woman, shorter and finer-boned than Lara with a blond bob that never varied in length, as though it was tended at night while she slept. Audrey had obviously come from the stable because she was walking around the room in a pair of beige riding pants and tall field boots that curved at the knee. “I’m doing some redecorating at the farm. You’ve gotten me in the mood to change things up a bit, so I thought it made sense for you to have it.” She put her hands on her hips. “I’m empty-nesting.”
Lara raised her eyebrow in doubt.
Her mother sighed, defeated. She pointed to the frame. “This painting—this woman—this is your legacy. Who we are. Anyway, I’m passing it down to you. There are some heirlooms that are yours. They’re more sentimental than anything, but they need to be passed to the next generation.”
“Oh please, Mother,” said Lara. “This isn’t about heirlooms. You’re decorating. You’ve been itching to decorate this house since I bought it.”
“A bit.” Audrey gave her a sheepish smile.
“The frame is too much, though,” said Lara, protesting.
“It does have a Versailles-meets-Vegas feel to it, doesn’t it? Take it to Gaston Boucher and change it. Make sure he keeps it for you, though, it’s probably worth more than the painting.” Audrey leaned it against the wall.
Gaston Boucher, owner of the most successful art gallery and framing shop in Kerrigan Falls, was a name that was peppered in all of Audrey’s recent conversations. Lara suspected they’d begun dating.
“She was brave. And you are, too.” She turned Lara’s chin with her hand and gazed into her eyes. “We owe this woman a great deal,” said Audrey. “She needs to be with you now. She’s been in my hallway long enough.”
Crouching down to get a better look at the painting, Lara lifted the frame from the floor. The colors looked different in this room than they had in the dimly lit hall at Cabot Farms. “If I’m brave, Mother, I learned it from you. Thank you.” Running her hands over the frame, Lara thought how her mother had held her together all these months. While she often rolled her eyes at Audrey’s fussing, her mother had created a safe world for her when everything had fallen to pieces. “I couldn’t have done any of this without you.”
Audrey blushed and tugged at her shirt, taking deep breaths like she was about to cry. “Oh, come on now.” Changing the subject, Audrey began unzipping the bag that held what Lara assumed to be a gown.