Back The Ladies of the Secret Circus
Chapters (48)
  1. Dedication
  2. Epigraph
  3. PROLOGUE
  4. Part 1: The Wedding That Wasn’t
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. From THE NEW DEMONPEDIA.com
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12: The Journal of Cecile Cabot—Book One
  18. The Journal of Cecile Cabot—Book One
  19. Chapter 13
  20. Chapter 14
  21. Chapter 15
  22. Part 2: The Trip to Paris
  23. Chapter 16
  24. Chapter 17
  25. Chapter 18: The Journal of Cecile Cabot—Book Two
  26. The Journal of Cecile Cabot—Book Two
  27. Chapter 19
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Chapter 23
  32. Chapter 24: The Journal of Cecile Cabot—Book Three
  33. The Journal of Cecile Cabot—Book Three
  34. Chapter 25
  35. Chapter 26
  36. Chapter 27
  37. Chapter 28
  38. Chapter 29
  39. Chapter 30
  40. Part 3: Esmé’s Secret
  41. Chapter 31
  42. Chapter 32
  43. Chapter 33
  44. Chapter 34
  45. EPILOGUE
  46. Acknowledgments
  47. Discover More
  48. By Constance Sayers

In 1938, Marla’s grandmother Victoria Chambers had lived in this house. It had not occurred to him until now that for all Marla’s love of history, he’d never once seen any pictures of her own family members. Most of the photos around the house were newer black-and-whites that Marla had taken herself, except for this cluster near the steps. But for someone who loved old photos—and someone who claimed to be so devoted to her family—there was not one single snapshot of anyone from Marla’s family. In fact, Marla’s mother had just died when he met her. Yet she didn’t have a single photo or album of her parents. He racked his brain recalling the odd ways that Marla avoided having pictures taken of herself through the years. Wedding photos? Nope. They’d eloped. He recalled once taking a Polaroid; she turned her head and it didn’t come out at all.

From Cecile Cabot’s diaries, he remembered that Cecile and Esmé could not be painted or photographed. The best way not to be the subject of a photo was to be the photographer. The other night at the gala—had Marla had her photo taken? No. At the last minute, she’d pulled him into the photo, replacing her.

Laughing to himself, he realized how brilliant it had been. She was always behind the camera, never in front of it. Now he felt downright stupid. He’d been so taken with her when he’d met her. She’d been sophisticated. He’d been so desperate to hang on to her. He had asked her about her mother once, and she’d become weepy, so he never pushed it. Why didn’t I push her? Because she was a damsel in distress.

An unfamiliar noise startled him, and his heart raced. He was about to sneak back down to the basement when he heard a latch open and then something drop. It took him a minute to realize it was the mailman. He peered out into the living room to see a neat stack of mail with a rubber band sitting on the floor in front of the door, just below the mail slot.

In the foyer, he padded past the mail pile and up the stairs. He was committed now. If Marla came home, he’d be trapped upstairs with no way out. He walked by the back bedroom—the spare where he had stayed at the end of their marriage. The room had undergone a transformation. It was as though she had erased every inch of the room that Ben had ever touched. Even the bed had been repainted white. The curtains were blue, the rug navy blue, and the room was now wallpapered in a floral pattern so busy that it would have caused him many sleepless nights.

“Jesus,” he muttered out loud.