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Chapters (48)
  1. Dedication
  2. Epigraph
  3. PROLOGUE
  4. Part 1: The Wedding That Wasn’t
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. From THE NEW DEMONPEDIA.com
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12: The Journal of Cecile Cabot—Book One
  18. The Journal of Cecile Cabot—Book One
  19. Chapter 13
  20. Chapter 14
  21. Chapter 15
  22. Part 2: The Trip to Paris
  23. Chapter 16
  24. Chapter 17
  25. Chapter 18: The Journal of Cecile Cabot—Book Two
  26. The Journal of Cecile Cabot—Book Two
  27. Chapter 19
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Chapter 23
  32. Chapter 24: The Journal of Cecile Cabot—Book Three
  33. The Journal of Cecile Cabot—Book Three
  34. Chapter 25
  35. Chapter 26
  36. Chapter 27
  37. Chapter 28
  38. Chapter 29
  39. Chapter 30
  40. Part 3: Esmé’s Secret
  41. Chapter 31
  42. Chapter 32
  43. Chapter 33
  44. Chapter 34
  45. EPILOGUE
  46. Acknowledgments
  47. Discover More
  48. By Constance Sayers

“It does not.” Barrow tapped on the desk. “Nothing about the circus was physical. That was the problem. When Gaston called about the circus painting that Lara had, it was the first real lead that the paintings were real and that the circus, itself, had ever existed. But these books.” He laid his hand flat on them as he would on a lover. “These books are the first real indication of what went on behind the scenes. Cecile Cabot’s journals explain everything. The legend has the circus appearing only to the ticket holders who were given an address. And we know that it sounds crazy, but that’s what happened to Lara. I’m sure of it. The circus had been reaching out to her.” Barrow took off his glasses and rubbed his eyes. The man appeared not to have slept for days. He was unshaven, his shirt untucked and stained with coffee.

“Why?” Ben knew he had to be open to all possibilities.

Gaston nodded. “We’re aware it sounds crazy. If her great-grandmother was, indeed, Cecile Cabot, then she has a true connection to Le Cirque Secret.”

“But so would Audrey,” said Ben.

“I think Audrey is in the dark about Le Cirque Secret, or perhaps denial,” said Gaston. “There must be something special about Lara, but I don’t know what it is.”

Ben almost snorted. “And you both believe this fantastical tale?”

Gaston straightened his back. “Tell me, Ben,” he said with more than a hint of sarcasm. “Back home, do you have a case right now that defies explanation?”

Ben sighed, recalling the Ouija board and the three men who had gone missing every thirty years. “I do.”

“It’s either this or a deranged lunatic.” Gaston sank back in his chair. “I’m hoping for this.”

“I’m not sure they’re mutually exclusive,” said Ben, skimming the composition book notes. “From what you’ve translated, the facts seem pretty weird. Are you sure someone wasn’t drinking too much absinthe?” There was a painting lying on the worktable.

“The Giroux, you mean? Oui,” said Gaston.

Ben walked over and lifted the canvas off the table. He could hear Barrow stirring like he was going to chastise him for not wearing gloves, but they knew Ben was furious with them for failing to keep Lara safe. Ben turned. “So this is what all the fuss is about, huh?”

“Yes,” said Barrow, looking itchy. “That was in the safe here all night. You might want to wear gloves.” He motioned to a pile of gloves next to the loupe.

“It hung on Audrey’s wall near the bathroom for decades,” said Ben, irritated. “I think it can withstand my hands.”

“Lara said she found a second one at Le Cirque de Fragonard.” Barrow seemed excited about this information, a point Ben thought was out of place given Lara’s disappearance. “I’ve been wanting to see it.”