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Chapters (48)
  1. Dedication
  2. Epigraph
  3. PROLOGUE
  4. Part 1: The Wedding That Wasn’t
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. From THE NEW DEMONPEDIA.com
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12: The Journal of Cecile Cabot—Book One
  18. The Journal of Cecile Cabot—Book One
  19. Chapter 13
  20. Chapter 14
  21. Chapter 15
  22. Part 2: The Trip to Paris
  23. Chapter 16
  24. Chapter 17
  25. Chapter 18: The Journal of Cecile Cabot—Book Two
  26. The Journal of Cecile Cabot—Book Two
  27. Chapter 19
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Chapter 23
  32. Chapter 24: The Journal of Cecile Cabot—Book Three
  33. The Journal of Cecile Cabot—Book Three
  34. Chapter 25
  35. Chapter 26
  36. Chapter 27
  37. Chapter 28
  38. Chapter 29
  39. Chapter 30
  40. Part 3: Esmé’s Secret
  41. Chapter 31
  42. Chapter 32
  43. Chapter 33
  44. Chapter 34
  45. EPILOGUE
  46. Acknowledgments
  47. Discover More
  48. By Constance Sayers

“No,” agreed Barrow, “the bastard just created beautiful paintings that were rather out of fashion at the time. He did challenge ideals of art—but even those are quite exquisite. He once remarked that being in the war, he’d seen many forms of hell in his life, and the one thing it had taught him was to value beauty.

“After I’d learned what happened to him—that his death was shrouded in some mystery—that added another layer for me,” said Barrow. “No one had ever really solved what had killed him or where these paintings had gone. There were various theories, but no one had taken the time to study it. That, and my mother took me to all of the circuses when she was on photo shoots—Paris, Rome, Barcelona, Madrid, and Montreal—the Rivoli.”

She hadn’t thought he was a fan of the circus, but it made sense. “So it was the scholarship,” said Lara. “I’m curious. You said there was a mystery about his death? What killed him?”

“Bright’s disease,” said Barrow, distracted.

Lara looked puzzled.

“An old term for kidney failure,” said Gaston, clarifying.

“That’s hardly mysterious,” said Lara.

Barrow shrugged. “The disease came on rather suddenly. His friends said that he’d cut his hand at Le Cirque Secret and never recovered. They attributed it to Bright’s disease, but the feeling was that it might have been some strange blood disease. He just seemed to waste away within a week’s time. The circus lasted another eight months or so after Giroux died. And just like that”—Barrow snapped his fingers—“it was never heard from again. Its last performance was held sometime in 1926. Mourier looked for word about it anywhere… Barcelona… Rome… London, but it never appeared again.”

Lara couldn’t imagine spending a lifetime researching one person’s work. She understood that these men liked their little art lectures—liked to listen to themselves. Yet as they talked, the ticket burned in her bag. She took a little joy in knowing that she had a secret that wasn’t being tossed around by the two of them for discussion. If they knew she had the ticket, she’d be irrelevant in the conversation about it.

“And you both believe Le Cirque Secret is responsible for his death?” If she was going to go to Le Cirque Secret, she should know what she was getting into. She hadn’t finished the third journal yet. So far, there was nothing indicating that Giroux was about to meet a mysterious end. On the contrary, he seemed to be a man very much in love.