Back The Killer in the Snow Save as PDF
Chapters (80)
  1. Cover
  2. Dedication
  3. Introducing DI Walker and his team …
  4. PROLOGUE
  5. CHAPTER ONE
  6. CHAPTER TWO
  7. CHAPTER THREE
  8. CHAPTER FOUR
  9. CHAPTER FIVE
  10. CHAPTER SIX
  11. CHAPTER SEVEN
  12. CHAPTER EIGHT
  13. CHAPTER NINE
  14. CHAPTER TEN
  15. CHAPTER ELEVEN
  16. CHAPTER TWELVE
  17. CHAPTER THIRTEEN
  18. CHAPTER FOURTEEN
  19. CHAPTER FIFTEEN
  20. CHAPTER SIXTEEN
  21. CHAPTER SEVENTEEN
  22. CHAPTER EIGHTEEN
  23. CHAPTER NINETEEN
  24. CHAPTER TWENTY
  25. CHAPTER TWENTY-ONE
  26. CHAPTER TWENTY-TWO
  27. CHAPTER TWENTY-THREE
  28. CHAPTER TWENTY-FOUR
  29. CHAPTER TWENTY-FIVE
  30. CHAPTER TWENTY-SIX
  31. CHAPTER TWENTY-SEVEN
  32. CHAPTER TWENTY-EIGHT
  33. CHAPTER TWENTY-NINE
  34. CHAPTER THIRTY
  35. CHAPTER THIRTY-ONE
  36. CHAPTER THIRTY-TWO
  37. CHAPTER THIRTY-THREE
  38. CHAPTER THIRTY-FOUR
  39. CHAPTER THIRTY-FIVE
  40. CHAPTER THIRTY-SIX
  41. CHAPTER THIRTY-SEVEN
  42. CHAPTER THIRTY-EIGHT
  43. CHAPTER THIRTY-NINE
  44. CHAPTER FORTY
  45. CHAPTER FORTY-ONE
  46. CHAPTER FORTY-TWO
  47. CHAPTER FORTY-THREE
  48. CHAPTER FORTY-FOUR
  49. CHAPTER FORTY-FIVE
  50. CHAPTER FORTY-SIX
  51. CHAPTER FORTY-SEVEN
  52. CHAPTER FORTY-EIGHT
  53. CHAPTER FORTY-NINE
  54. CHAPTER FIFTY
  55. CHAPTER FIFTY-ONE
  56. CHAPTER FIFTY-TWO
  57. CHAPTER FIFTY-THREE
  58. CHAPTER FIFTY-FOUR
  59. CHAPTER FIFTY-FIVE
  60. CHAPTER FIFTY-SIX
  61. CHAPTER FIFTY-SEVEN
  62. CHAPTER FIFTY-EIGHT
  63. CHAPTER FIFTY-NINE
  64. CHAPTER SIXTY
  65. CHAPTER SIXTY-ONE
  66. CHAPTER SIXTY-TWO
  67. CHAPTER SIXTY-THREE
  68. CHAPTER SIXTY-FOUR
  69. CHAPTER SIXTY-FIVE
  70. CHAPTER SIXTY-SIX
  71. CHAPTER SIXTY-SEVEN
  72. CHAPTER SIXTY-EIGHT
  73. CHAPTER SIXTY-NINE
  74. CHAPTER SEVENTY
  75. EPILOGUE
  76. ACKNOWLEDGEMENTS
  77. Keep Reading …
  78. About the Author
  79. By the same author:
  80. About the Publisher

It was a large but cosy room with exposed stone and brick walls, except beneath the stairs where the plasterboard wall was covered with dark paper that looked like a window covered with shiny raindrops. The kitchen was well-equipped and the granite worktops were cluttered with jars, cereal boxes, tea towels and a plate of mince pies. On the breakfast bar stood a half-empty bottle of wine, along with two glasses and a bowl of crisps.

James could see that the family had been embracing the festive spirit before death descended upon the farmhouse. It would surely have been sudden and unexpected, and he couldn’t even imagine what might have triggered it.

He also spotted an acrylic knife block with six slots, one of which was empty. The black handles matched the one jutting out of Charlotte’s body.

James turned then to the living room, which was typical of other farmhouses he’d been in. There was an open fireplace, two long, deep sofas with wooden armrests, a glass coffee table, and in the far corner a Christmas tree that almost touched the ceiling. The lights on it were glowing and the decorations matched those that were positioned around the room.

It didn’t look as though the room had been ransacked. There were unopened presents on the floor in front of the tree and nothing seemed out of place except for the fragments of glass that were spread over the floor between the bodies.

A key question that would need to be answered by the pathologist was when the deaths occurred. It was obviously before the family got around to opening their presents on Christmas Day, and from the state of the victims and the awful smell, James wouldn’t rule out Christmas Eve as a likely time of death.

‘My heart goes out to the woman who stumbled on this,’ a familiar voice said behind him. ‘It’ll haunt her for the rest of her life.’

James turned and immediately recognised Tony Coppell, the chief forensic officer, even though he was wearing a mask and hood.

‘I’m sure you’re right,’ James said. ‘I’ve seen plenty of gory crime scenes over the years, but this one ranks among the worst of them.’

‘I haven’t seen so much blood since our regular visits to Kirkby Abbey a year ago,’ Coppell said. ‘We’ve certainly got our work cut out for us.’

‘Have you been upstairs yet?’

Coppell nodded. ‘All nice and tidy. Beds are made and some of the lights are switched on, just as they are down here. That suggests the killings took place after dark.’

‘Care to estimate how long the bodies have been here?’ James asked him.

‘You need the pathologist to provide an accurate time of death, but based on their condition I’d say two or three days.’