Chapters (46)
- Dedication
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Chapter Fourteen
- Chapter Fifteen
- Chapter Sixteen
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Chapter Twenty-one
- Chapter Twenty-two
- Chapter Twenty-three
- Chapter Twenty-four
- Chapter Twenty-five
- Chapter Twenty-six
- Chapter Twenty-seven
- Chapter Twenty-eight
- Chapter Twenty-nine
- Chapter Thirty
- Chapter Thirty-one
- Chapter Thirty-two
- Chapter Thirty-three
- Chapter Thirty-four
- Chapter Thirty-five
- Chapter Thirty-six
- Chapter Thirty-seven
- Chapter Thirty-eight
- Chapter Thirty-nine
- Chapter Forty
- Chapter Forty-one
- Chapter Forty-two
- About the Author
- Also by Stephen Booth
- About the Publisher
‘Not for Mr Clay. We just want to speak to him.’
‘I’ll tell him,’ she said, already closing the door.
Fry could see her shape moving behind the glass, long after they had walked down the drive to their car.
Standing on the pavement, she made a point of phoning the number she’d been given in full sight of the windows of the Clay house. She got a voicemail message, a man’s voice claiming to be Michael Clay, but not available at the moment. At least it was a genuine number.
‘Mr Clay, this is Detective Sergeant Fry of Derbyshire Police. We spoke yesterday. I’d be grateful if you could give me a call at your earliest convenience.’
‘Not at home, then,’ said Murfin, when she finished the call.
Fry glanced at the house again. ‘I wonder . . .’
‘What are you wondering?’
‘I’m thinking about what Dermot Walsh said this morning, about Patrick Rawson using someone to take the fall if things went wrong. And I’m wondering whether Mr Clay discovered what his role was in Patrick Rawson’s scheme of things.’
Chapter Nineteen
THE BARREL OF the gun was held to the horse’s forehead. There was just a brief moment when the only sounds were the nervous scuffling of the horse’s hooves on the tiled floor, and the distant background of pop music, something bright and bouncy, probably Abba. Then a high-pitched crack echoed off the walls.
As Cooper watched, the horse’s legs folded underneath it, collapsing as if someone had dropped the strings on a puppet. Its body hit the floor, and its head dropped lifelessly. As the animal rolled on to its side, the front legs went rigid, but the hind legs continued to kick furiously – that primal flight instinct still powering the muscles for long seconds after the brain had ceased working.
When the kicking had stopped, the operator put his gun down and began to secure the straps of a winch. A moment later, the dead mare was hoisted off the floor on two chains, its back legs high in the air, its head hanging downwards, swinging loose. A spiral of blood squirted on to the tiles.
‘My God, it’s like watching a snuff movie.’ DI Hitchens stood behind Cooper, watching over his shoulder. ‘Does this happen every day?’
‘Well, every week, at least,’ said Cooper.