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Contents ( 66)
  1. Cover
  2. Books by Valerie Fraser Luesse
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Contents
  7. Map of Florida
  8. one
  9. two
  10. three
  11. four
  12. five
  13. six
  14. seven
  15. eight
  16. nine
  17. ten
  18. eleven
  19. twelve
  20. thirteen
  21. fourteen
  22. fifteen
  23. sixteen
  24. seventeen
  25. eighteen
  26. nineteen
  27. twenty
  28. twenty-one
  29. twenty-two
  30. twenty-three
  31. twenty-four
  32. twenty-five
  33. twenty-six
  34. twenty-seven
  35. twenty-eight
  36. twenty-nine
  37. thirty
  38. thirty-one
  39. thirty-two
  40. thirty-three
  41. thirty-four
  42. thirty-five
  43. thirty-six
  44. thirty-seven
  45. thirty-eight
  46. thirty-nine
  47. forty
  48. forty-one
  49. forty-two
  50. forty-three
  51. forty-four
  52. forty-five
  53. forty-six
  54. forty-seven
  55. forty-eight
  56. forty-nine
  57. fifty
  58. fifty-one
  59. Epilogue
  60. Keep Reading for a Preview of Valerie Luesse’s Next Book!
  61. Prologue
  62. one
  63. Acknowledgments
  64. About the Author
  65. Back Ads
  66. Back Cover

Peyton looked at Lisa, who shrugged and said, “We’re here, like you said.”

“Will you teach us?” Peyton asked Silvio.

The man gave them a little bow. “It would be my pleasure.”

“Is there—I mean—we don’t have a lot of money . . .”

“No, no, no,” Silvio insisted. “I do not teach for money. I teach for . . . well, for love, I suppose. Now we begin. How would the two of you be standing if you were about to kiss?”

Lisa blushed.

“Do not be embarrassed,” Silvio went on. “It is the most natural thing in the world for a man to kiss a woman. Now. How would you stand?”

Peyton and Lisa turned to face each other, almost touching. “Like this, I guess,” Peyton said to Silvio, who rolled his eyes.

“And would you be looking at me—an old man—if you were about to kiss this beautiful girl?”

“No offense, Silvio, but if I were about to kiss Lisa, you wouldn’t be here.”

“Ha! Now we are getting somewhere. You would wish to be alone in the moonlight at such a time, yes?”

Peyton looked down at Lisa. “Yes. I would want to be alone in the moonlight.”

“Well then, let us prepare you for the moon. Put your arm around her waist . . . Yes, very good. Now take her hand . . . Yes, like that. Señorita Lisa, put your free arm around his shoulder . . . No, not against it but around it. You want to embrace him, not push him away. Yes, that’s it! Now, you walk toward your Peyton and then you back away, but he comes with you because he cannot bear to be apart from you . . . Yes! Now you walk to the side . . . Very good. And now you walk back . . . Excelente! And now you pause to think only of each other . . . Yes! And now you walk again. There. You have learned the danzón. Now go inside and let the music take the place of the moon.”

“What about you?” Peyton asked, still holding Lisa in his arms.

“My dance partner is waiting for me at home.” Silvio tipped his hat. “Adios.”

“Adios—and gracias!” Peyton called after him. He looked at Lisa and gave a little nod toward the dance floor. “What do you think?”

“Como un Cubano,” she said with a smile.

They stepped inside the restaurant, which was dim and cool compared to the sun-drenched street. All the couples on the dance floor, moving in unison to the slow back-and-forth of the danzón, reminded Peyton of palm trees swaying in a tropical storm. Each couple had eyes only for each other, and yet they were all moving together—each pair oblivious to all the others yet dancing to the same rhythm.

Peyton and Lisa found a small empty spot, held each other close, and began the danzón. The music was slow and languid, the rhythm so entrancing that Peyton lost all sense of his own movements and could see only Lisa, her slender arm wrapped around his shoulder, her hand grazing his neck, her breath on his face as she looked up at him in a way that made his heart stop.