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Contents ( 66)
  1. Cover
  2. Books by Valerie Fraser Luesse
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Contents
  7. Map of Florida
  8. one
  9. two
  10. three
  11. four
  12. five
  13. six
  14. seven
  15. eight
  16. nine
  17. ten
  18. eleven
  19. twelve
  20. thirteen
  21. fourteen
  22. fifteen
  23. sixteen
  24. seventeen
  25. eighteen
  26. nineteen
  27. twenty
  28. twenty-one
  29. twenty-two
  30. twenty-three
  31. twenty-four
  32. twenty-five
  33. twenty-six
  34. twenty-seven
  35. twenty-eight
  36. twenty-nine
  37. thirty
  38. thirty-one
  39. thirty-two
  40. thirty-three
  41. thirty-four
  42. thirty-five
  43. thirty-six
  44. thirty-seven
  45. thirty-eight
  46. thirty-nine
  47. forty
  48. forty-one
  49. forty-two
  50. forty-three
  51. forty-four
  52. forty-five
  53. forty-six
  54. forty-seven
  55. forty-eight
  56. forty-nine
  57. fifty
  58. fifty-one
  59. Epilogue
  60. Keep Reading for a Preview of Valerie Luesse’s Next Book!
  61. Prologue
  62. one
  63. Acknowledgments
  64. About the Author
  65. Back Ads
  66. Back Cover

As he waved and went on his way, she stood up and held the quilt by one edge, letting it flap in the wind to blow the sand away. Then she folded it and took her time crossing first the dunes and then the bridge, thinking all the while of a distance she could not get over—the great divide between where she was and where she longed to be.

twenty-six

Over breakfast at a waterfront café in Titusville, Peyton unfolded his father’s map and reviewed, for what seemed like the hundredth time, the neatly written notes, all in pencil, that traced his path out into the blue ocean. Most people wrote in rounded letters, but his dad wrote in architectural, boxy letters, sometimes at odd angles, as if he couldn’t be confined to a straight line—not so much writing his thoughts, hard and permanent, as sketching them with a fluidity that could be reconsidered. Next to a tiny arrow pointing to Merritt Island, he had written, “Could hide away here with Kate forever.”

Peyton wondered if his father had ever envisioned himself having a son back then, or did he dream only of being a husband? His father had never done anything to make him feel like an unwelcome addition to the perfect union, but maybe he had been, at least in the beginning. Aunt Gert might have the answer. Then again, maybe he would find it on a Florida island marked by an arrow written in his father’s hand.

After paying his tab, Peyton climbed onto his bike, heading south to a bridge that crossed onto Merritt, dense with palms and palmettos. On its western shore, it was separated from the mainland by the Indian River. To the east, the Banana River flowed between the island and Cape Canaveral. It was isolated yet far from quiet, reverberating with the hum of cicadas punctuated by birdcalls. Cranes waded its shallows, while ducks noisily congregated on the island’s lakes and ponds. Now and again, the narrow pavement would play out altogether, and Peyton would find himself pedaling across hard-packed sand, gravel, and shells.

At last, he came to the first sign of life—human life, at least—that he had seen here: an unpainted, wood-frame house slightly elevated on low coquina pillars, with tall windows, a metal roof, and a deep front porch. An old woman wearing a cotton dress, tennis shoes, and a wide-brimmed straw hat was sweeping the front yard, which was much too shady for a lawn. She threw up her hand when she saw him. Peyton stopped and waved back.

“You got time to come in?” she called to him.

“Yes, ma’am,” he said as he pedaled into her yard.

She propped her broom against a tree and walked out to meet him. “Matilda Jenks,” she said, extending her hand.

“Pleased to meet you.” He shook her hand. “I’m Peyton Cabot.”

Her eyes grew wide as she stepped closer to him. “Cabot?”

“Yes, ma’am.”

“Well, if that don’t beat all.”