Chapters (70)
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Afterword
What is this thing you call “the natural universe”? Is that something taken from your god? Ahhh, you have separated your parts to create the unique. You do not need this separation for your creations. This fluid evasiveness of your landscape is your strength. The patterns . . . ahhh, the patterns. From yourself come the forces which shape the course of each thought. Why do you confine your thought in a tiny fixed landscape?
You find a distinction between measurement and preparation of your landscape. You continually prepare, saying: “I am going to say something about . . .”But that limits what you say and it tells your listener to accept your limits. All such measurement and limiting date back to a common system in a simple, linear landscape. Look about you, Human! Where do your senses find such simplicity?
Does a second look at the landscape yield the same view as the first look? Why is your will so inflexible?
A magical affinity between object and likeness, between being and symbol, underlies all symbol systems. It is the assumed foundation of language. The word for thing or object in most languages is related to the word for say or speak and these, in turn, have their roots in magic.
—Kerro Panille, I Sing to the Avata
OAKES STOOD in stunned silence, staring at Jesus Lewis standing just inside the Ceepee cubby’s hatch. Somewhere, there was a background buzz. Oakes realized he had left the holofocus projecting Agrarium D-9. Yes . . . it was full dayside out there. He slapped the cut-off.
Lewis moved another step into the cubby. He was breathing heavily. His thin, straw-colored hair was disarrayed. His dark eyes moved left, right—probing the room. It was an eye movement which Oakes identified as characteristic of groundsiders. There was a patch of pseudoflesh over an injury on Lewis’ narrow, cleft chin, another over the bridge of his sharp nose. His thin mouth was twisted into a wry smile.
“What happened to you?”
“Clones . . .” Deep breath.”. . . revolt.”
“The Redoubt?” A sharp twinge of fear shot through Oakes.
“It’s all right.”
Limping, Lewis crossed the room, sank into a divan. “Is there any of your special joy juice around? Every last drop was lost at the Redoubt.”
Oakes hurried to a concealed locker, removed a bottle of raw Pandoran wine, opened it and handed the whole bottle to Lewis.
Lewis upended the wine and took four long swallows without a breath while he stared around the bottle at Oakes. The poor old Ceepee looked to be in bad shape. There were dark circles under his eyes. Tough.
For Oakes, the moment was welcome as a time to recover his wits. He did not mind serving Lewis and the sense of personal concern this conveyed would have a desired effect. Obviously, something very bad had happened at the Redoubt. Oakes waited until Lewis put down the bottle, then: ‘They revolted?”