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Chapters (70)
  1. Chapter 1
  2. Chapter 2
  3. Chapter 3
  4. Chapter 4
  5. Chapter 5
  6. Chapter 6
  7. Chapter 7
  8. Chapter 8
  9. Chapter 9
  10. Chapter 10
  11. Chapter 11
  12. Chapter 12
  13. Chapter 13
  14. Chapter 14
  15. Chapter 15
  16. Chapter 16
  17. Chapter 17
  18. Chapter 18
  19. Chapter 19
  20. Chapter 20
  21. Chapter 21
  22. Chapter 22
  23. Chapter 23
  24. Chapter 24
  25. Chapter 25
  26. Chapter 26
  27. Chapter 27
  28. Chapter 28
  29. Chapter 29
  30. Chapter 30
  31. Chapter 31
  32. Chapter 32
  33. Chapter 33
  34. Chapter 34
  35. Chapter 35
  36. Chapter 36
  37. Chapter 37
  38. Chapter 38
  39. Chapter 39
  40. Chapter 40
  41. Chapter 41
  42. Chapter 42
  43. Chapter 43
  44. Chapter 44
  45. Chapter 45
  46. Chapter 46
  47. Chapter 47
  48. Chapter 48
  49. Chapter 49
  50. Chapter 50
  51. Chapter 51
  52. Chapter 52
  53. Chapter 53
  54. Chapter 54
  55. Chapter 55
  56. Chapter 56
  57. Chapter 57
  58. Chapter 58
  59. Chapter 59
  60. Chapter 60
  61. Chapter 61
  62. Chapter 62
  63. Chapter 63
  64. Chapter 64
  65. Chapter 65
  66. Chapter 66
  67. Chapter 67
  68. Chapter 68
  69. Chapter 69
  70. Afterword

She sat down at the keyboard and stared into the screen. Her fingers strayed over the keys. They felt familiar, yet strange. Kerro’s fingers had touched these keys. She saw this instrument suddenly as a container which held raw experiences at a distance. You did not have to go in person. This machine made terrible things acceptable. She took a deep breath and punched the keys: ANCIENT HISTORY RECORDS—YAISUAH/JESUS.

But Ship was not through intruding.

If there is any of it you wish to see in person, Ekel, you have but to ask.

The very thought sent shudders through her body.

This is my body and I’m staying in it.

That, Ekel, is a choice which you may have to share.

Chapter 30

Chapter 30

My imagination was too much exalted by my first success to permit me to doubt of my ability to give life to an animal as complex and wonderful as man.

—Mary Shelley’s Frankenstein, Shiprecords

“I LIKE to call this the Flower Room,” Murdoch said, leading Rachel Demarest across the open area to the lock. It was bright there, and she did not like the way the younger clones pulled back from Murdoch. A clone herself, she had heard the stories about this place and wanted to hold back, to delay what was happening. But it was her only chance at the Oakes/Lewis political circle. Murdoch kept a strong grip on her arm just above the elbow and she knew the pain he could cause if she hesitated.

Murdoch stopped at the lock and glanced at his charge.

This one won’t carry any more petitions, he thought.

The slightly blue cast to her skin, her nervous, gangly limbs made her appear cold.

“Perhaps you and I could work something out,” she said, and pressed her hip against him.

Murdoch was tempted . . . but that blue skin!

“I’m sorry, but this is standard for everyone who works here. There are things we need to know—and things that you need to know, too.”

He really was sorry, remembering dimly some of the things which had happened to him during his own Scream Room initiation. There were things which he did not remember, too—a disturbing fact in itself. But orders were orders.

“Is this the place you call the Scream Room?” Her voice was barely a whisper as she stared at the hatch into the lock.

“It’s the Flower Room,” he said. “All of these beautiful young clones . . .” He waved vaguely at the room behind her. “All of them come from here.”

She wanted to glance back. There had been some strangely shaped people hugging the rear of the throngs in the room, some with colors even stranger than her own. Something in Murdoch’s manner prevented her from turning.