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Chapters (70)
  1. Chapter 1
  2. Chapter 2
  3. Chapter 3
  4. Chapter 4
  5. Chapter 5
  6. Chapter 6
  7. Chapter 7
  8. Chapter 8
  9. Chapter 9
  10. Chapter 10
  11. Chapter 11
  12. Chapter 12
  13. Chapter 13
  14. Chapter 14
  15. Chapter 15
  16. Chapter 16
  17. Chapter 17
  18. Chapter 18
  19. Chapter 19
  20. Chapter 20
  21. Chapter 21
  22. Chapter 22
  23. Chapter 23
  24. Chapter 24
  25. Chapter 25
  26. Chapter 26
  27. Chapter 27
  28. Chapter 28
  29. Chapter 29
  30. Chapter 30
  31. Chapter 31
  32. Chapter 32
  33. Chapter 33
  34. Chapter 34
  35. Chapter 35
  36. Chapter 36
  37. Chapter 37
  38. Chapter 38
  39. Chapter 39
  40. Chapter 40
  41. Chapter 41
  42. Chapter 42
  43. Chapter 43
  44. Chapter 44
  45. Chapter 45
  46. Chapter 46
  47. Chapter 47
  48. Chapter 48
  49. Chapter 49
  50. Chapter 50
  51. Chapter 51
  52. Chapter 52
  53. Chapter 53
  54. Chapter 54
  55. Chapter 55
  56. Chapter 56
  57. Chapter 57
  58. Chapter 58
  59. Chapter 59
  60. Chapter 60
  61. Chapter 61
  62. Chapter 62
  63. Chapter 63
  64. Chapter 64
  65. Chapter 65
  66. Chapter 66
  67. Chapter 67
  68. Chapter 68
  69. Chapter 69
  70. Afterword

Waves whipped high onto the beach across the bay as she scanned the scene. The water slashed high this morning. The pounding surf echoed a deeper trembling of the earth and she could hear the clatter of rock against rock. The sound must be frighteningly loud outside for it to be heard that well in here.

It’s the job of waves and rocks to make sand, she thought. Why can’t I do my job that well . . . without question?

The answer came immediately, as though she had thought it through countless times: Because changing rock into sand is not killing. It is change, not extermination.

Her artist’s eye wanted to find order in the view out the plaz, but all was disorder. Beautiful disorder, but frightening. What a contrast with the peaceful bustle of a shipside agrarium.

She could see the shuttle station off on the isolated point of land to her left, an arc of the bay between, and the low line of the protected passage leading from Redoubt to Station. That had been Lewis’ idea: Keep the Station remote, easy to cut off should attackers come from Colony.

She found herself wanting the roll and toss of kelp leaves in the bay, but the kelp was going . . . going . . .

A chill crawled up her spine and down her arms.

A few diurns, Oakes had said.

She closed her eyes and the picture that haunted her was her own mural, the accusing finger which pointed straight at her heart.

You are killing me! it said.

No matter how hard she shook her head, the voice would not be still. Against her better judgment, she crossed to the dispenser and keyed it for a drink. Her hand was steady. She returned to the plaz-guarded view, and sipped slowly while watching the waves bite their way up the beach across the bay. The waves had buried the previous high-tide mark at least a dozen meters back. She wondered whether she should wake Oakes.

A hylighter suddenly valved itself low across the beach below the shuttle station. A sentry appeared at the beachside guardpost and snapped her heavy lasgun to her shoulder, then hesitated. Legata held her breath, expecting the bright orange flash and concussion. But the woman did not fire; she lowered her weapon and watched as the delicate hylighter drifted out of sight around the point.

Legata let out her breath in a long sigh.

What happens when we have no others to kill?

Oakes’ desire for a paradise planet vanished when she confronted that seascape. He could make it sound so plausible, so natural, but . . .

What about the Scream Room?

It was a symptom. Would people turn on each other, band together in tribes and attack each other in the absence of Dashers or Runners . . . or kelp?

Another hylighter drifted past farther out.

It thinks.

And the vanishing kelp. Oakes was right that she had seen the reports from the disastrous undersea research project.

It thinks.