Chapters (70)
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Afterword
Waves whipped high onto the beach across the bay as she scanned the scene. The water slashed high this morning. The pounding surf echoed a deeper trembling of the earth and she could hear the clatter of rock against rock. The sound must be frighteningly loud outside for it to be heard that well in here.
It’s the job of waves and rocks to make sand, she thought. Why can’t I do my job that well . . . without question?
The answer came immediately, as though she had thought it through countless times: Because changing rock into sand is not killing. It is change, not extermination.
Her artist’s eye wanted to find order in the view out the plaz, but all was disorder. Beautiful disorder, but frightening. What a contrast with the peaceful bustle of a shipside agrarium.
She could see the shuttle station off on the isolated point of land to her left, an arc of the bay between, and the low line of the protected passage leading from Redoubt to Station. That had been Lewis’ idea: Keep the Station remote, easy to cut off should attackers come from Colony.
She found herself wanting the roll and toss of kelp leaves in the bay, but the kelp was going . . . going . . .
A chill crawled up her spine and down her arms.
A few diurns, Oakes had said.
She closed her eyes and the picture that haunted her was her own mural, the accusing finger which pointed straight at her heart.
You are killing me! it said.
No matter how hard she shook her head, the voice would not be still. Against her better judgment, she crossed to the dispenser and keyed it for a drink. Her hand was steady. She returned to the plaz-guarded view, and sipped slowly while watching the waves bite their way up the beach across the bay. The waves had buried the previous high-tide mark at least a dozen meters back. She wondered whether she should wake Oakes.
A hylighter suddenly valved itself low across the beach below the shuttle station. A sentry appeared at the beachside guardpost and snapped her heavy lasgun to her shoulder, then hesitated. Legata held her breath, expecting the bright orange flash and concussion. But the woman did not fire; she lowered her weapon and watched as the delicate hylighter drifted out of sight around the point.
Legata let out her breath in a long sigh.
What happens when we have no others to kill?
Oakes’ desire for a paradise planet vanished when she confronted that seascape. He could make it sound so plausible, so natural, but . . .
What about the Scream Room?
It was a symptom. Would people turn on each other, band together in tribes and attack each other in the absence of Dashers or Runners . . . or kelp?
Another hylighter drifted past farther out.
It thinks.
And the vanishing kelp. Oakes was right that she had seen the reports from the disastrous undersea research project.
It thinks.