Back The Hunger
Chapters (17)
  1. CRITICAL ACCLAIM FOR THE WHITLEY STRIEBER HORROR CLASSIC THAT STARTED IT ALL
  2. THE LAST VAMPIRE
  3. PROLOGUE
  4. 1
  5. 2
  6. 3
  7. 4
  8. 5
  9. 6
  10. 7
  11. 8
  12. 9
  13. 10
  14. 11
  15. 12
  16. EPILOGUE
  17. Available August 2001 from Pocket Books Hardcover

She paid respect to the Buddha, drawing her hands together and bowing. Had any of her peers seen her, they would have scorned her utterly.

She ran her fingers along the cunning mortise work, then tapped softly three times, causing the concealed mechanism to give way with a soft click. It was a little surprising, the way the mechanism felt. It was almost as if the lock were sprung. She thought she might have been able to open it just with a push. You’d never find this kind of carelessness in Europe or America.

She went down the steep, curving steps. She didn’t need illumination, of course. Theirs was a nocturnal species . . . miserably enough in this electric era. How her father had moped when the humans had discovered electricity. “We should have kept it from them,” he’d said.

Keeper men and women did not live together except during pregnancy and, to some extent, child-rearing. But the love between them could be great, and he had never recovered from the loss of his Lamia. “I find myself searching the world for her,” he would say. He’d persisted in doing dangerous things—climbing mountains, dueling, and traveling, endlessly traveling. It was death he sought, when he sought the far hills.

Her father had died in the explosion of the Hindenburg in 1937—taken like his Lamia by fire. He saved human beings from the flames, and those he helped can be seen in the newsreel film scrambling from the windows as the ship descends. He comes out last, and his form disappears in the fire.

Over and over and over again, she watched that film, longing for one more rolling murmur of his voice, one more touch from his kindly hand.

She stopped on the fourth step. There was sound down below, definitely. Good, the conclave was in session. For most of the Keepers down there, this would be the first contact in a century with any of their own kind. Lovers met in sweet battle, and mothers lived with their children. But for the most part, they were a species as solitary as the spider.

A little farther along, she stopped again. Something she was hearing below did not seem quite right. Her people didn’t laugh. She’d never heard anybody laugh except her mother and herself. Not even her dad had done it.

She went a little farther—and then she saw something incredible. On the dark wall there was a figure drawn. Or no, it was painted—spray-painted. She had to raise her head to see the whole of it. When she did, she saw that it was a crudely sprayed painting of a human penis in full erection.

Graffiti?

Farther along yet, there were paper cartons from a restaurant, still smelling of pepper and garlic. Nobody ate human food. They had no way to digest it. Inside, they were not made like humans at all. Liquor, however, was a different story. They could get drunk, fortunately. The others disdained alcohol, of course, but Miriam enjoyed fine wines and adored every form of distilled liquor from Armagnac to Jim Beam.