She thrust her hands into the pockets of her coat and shook the tam-o’-shanter slightly, to establish it in a more comfortable spot on her head. The beads had been in my corduroy coat since I found them. I drew them out and gave them to her.

“Thank you; thank you very much.”

“Of course they are yours, Miss—”

She thrust them into her pocket.

“Of course they’re mine,” she said indignantly, and turned to go.

“We’ll waive proof of property and that sort of thing,” I remarked, with, I fear, the hope of detaining her. “I’m sorry not to establish a more neighborly feeling with St. Agatha’s. The stone wall may seem formidable, but it’s not of my building. I must open the gate. That wall’s a trifle steep for climbing.”

I was amusing myself with the idea that my identity was a dark mystery to her. I had read English novels in which the young lord of the manor is always mistaken for the game-keeper’s son by the pretty daughter of the curate who has come home from school to be the belle of the county. But my lady of the red tam-o’-shanter was not a creature of illusions.

“It serves a very good purpose—the wall, I mean—Mr. Glenarm.”

She was walking down the steps and I followed. I am not a man to suffer a lost school-girl to cross my lands unattended in a snow-storm; and the piazza of a boat-house is not, I submit, a pleasant loafing-place on a winter day. She marched before me, her hands in her pockets—I liked her particularly that way—with an easy swing and a light and certain step. Her remark about the wall did not encourage further conversation and I fell back upon the poets.

“Stone walls do not a prison make,

Nor iron bars a cage,”

I quoted. Quoting poetry in a snow-storm while you stumble through a woodland behind a girl who shows no interest in either your prose or your rhymes has its embarrassments, particularly when you are breathing a trifle hard from the swift pace your auditor is leading you.

“I have heard that before,” she said, half-turning her face, then laughing as she hastened on.