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Chapters (67)
  1. Cover
  2. Contents
  3. Dedication
  4. Acknowledgments
  5. Principal Characters
  6. BOOK I
  7. CHAPTER 1
  8. CHAPTER 2
  9. CHAPTER 3
  10. CHAPTER 4
  11. CHAPTER 5
  12. CHAPTER 6
  13. CHAPTER 7
  14. CHAPTER 8
  15. CHAPTER 9
  16. CHAPTER 10
  17. CHAPTER 11
  18. CHAPTER 12
  19. CHAPTER 13
  20. BOOK II
  21. CHAPTER 14
  22. CHAPTER 15
  23. CHAPTER 16
  24. CHAPTER 17
  25. CHAPTER 18
  26. CHAPTER 19
  27. CHAPTER 20
  28. CHAPTER 21
  29. CHAPTER 22
  30. CHAPTER 23
  31. CHAPTER 24
  32. CHAPTER 25
  33. CHAPTER 26
  34. CHAPTER 27
  35. CHAPTER 28
  36. CHAPTER 29
  37. CHAPTER 30
  38. BOOK III
  39. CHAPTER 31
  40. CHAPTER 32
  41. CHAPTER 33
  42. CHAPTER 34
  43. CHAPTER 35
  44. CHAPTER 36
  45. CHAPTER 37
  46. CHAPTER 38
  47. CHAPTER 39
  48. CHAPTER 40
  49. CHAPTER 41
  50. CHAPTER 42
  51. CHAPTER 43
  52. CHAPTER 44
  53. CHAPTER 45
  54. CHAPTER 46
  55. CHAPTER 47
  56. CHAPTER 48
  57. CHAPTER 49
  58. CHAPTER 50
  59. CHAPTER 51
  60. CHAPTER 52
  61. CHAPTER 53
  62. CHAPTER 54
  63. CHAPTER 55
  64. CHAPTER 56
  65. Epilogue
  66. About the Author
  67. Copyright

As night approached, Ethan walked down a path behind the shops and small houses to the back door of the Pratts’ home and entered the kitchen. His father and sisters were at the table, and his mother was preparing to serve supper.

“You’re late again,” she said. “We were just getting ready to eat.”

“I’ve been in the new garden. I only have a couple of hours each day after the shop closes to work in it.”

His father said, “You’re not like Henry was. He always wanted to stay in the shop as long as he could.”

Ethan decided not to reply.

The shop was not an unpleasant place. There were four workbenches in the center of the main room, spaced evenly around a lighting source that supplemented what came in through the windows and doors. A single high-quality candle burned in the center of four small globes filled with water, each the size of a large man’s fist. Each created a prism that focused the candle’s light in a small spot, and the shoemakers shifted their work to be in the brightest place. The soft leather for the upper shoe was stretched into proper shape, holes were punched with an awl, and strong linen or flax thread was used for sewing. Although steel needles were available, everyone preferred to use stiff hog bristles, which were enmeshed in the end of the thread and guided the fibers through the holes. The thick soles were often attached with small maple pegs. All the toes were square, and the shoes could be worn on either foot.

Samuel Pratt was from a Scotch-Irish Presbyterian family and had come from Ulster to Philadelphia as a young man. Most of his earlier friends had moved on into western Pennsylvania, but he had stayed in the city to ply his trade. He was a member of the Guild of Cordwainers, the older name for their craft. Mr. Pratt was proud of his shop and his trade, commenting often about its value to the community, the breadth of its contact with even the most elite members of Philadelphia society, and the fact that the Worshipful Company of Cordwainers had helped to finance Captain John Smith’s first expedition to America in 1607, long before the Pilgrims came to Massachusetts.