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Contents ( 114)
  1. THE HOLLOW SERIES BOOKS 1–4
  2. Contents
  3. Dedication
  4. Contents
  5. One
  6. Two
  7. Three
  8. Four
  9. Five
  10. Six
  11. Seven
  12. Eight
  13. Nine
  14. Ten
  15. Eleven
  16. Twelve
  17. Thirteen
  18. Fourteen
  19. Fifteen
  20. Sixteen
  21. Seventeen
  22. Eighteen
  23. Nineteen
  24. Twenty
  25. Twenty-One
  26. Twenty-Two
  27. Twenty-Three
  28. Twenty-Four
  29. Twenty-Five
  30. Twenty-Six
  31. Twenty-Seven
  32. Twenty-Eight
  33. Twenty-Nine
  34. Thirty
  35. Thirty-One
  36. Thirty-Two
  37. Thirty-Three
  38. Thirty-Four
  39. Acknowledgements
  40. THE GOOD, THE BAD,
  41. AND THE UNDEAD
  42. Dedication
  43. Contents
  44. One
  45. Two
  46. Three
  47. Four
  48. Five
  49. Six
  50. Seven
  51. Eight
  52. Nine
  53. Ten
  54. Eleven
  55. Twelve
  56. Thirteen
  57. Fourteen
  58. Fifteen
  59. Sixteen
  60. Seventeen
  61. Eighteen
  62. Nineteen
  63. Twenty
  64. Twenty-One
  65. Twenty-Two
  66. Twenty-Three
  67. Twenty-Four
  68. Twenty-Five
  69. Twenty-Six
  70. Twenty-Seven
  71. Twenty-Eight
  72. Twenty-Nine
  73. Acknowledgements
  74. Dedication
  75. Contents
  76. One
  77. Two
  78. Three
  79. Four
  80. Five
  81. Six
  82. Seven
  83. Eight
  84. Nine
  85. Ten
  86. Eleven
  87. Twelve
  88. Thirteen
  89. Fourteen
  90. Fifteen
  91. Sixteen
  92. Seventeen
  93. Eighteen
  94. Nineteen
  95. Twenty
  96. Twenty-One
  97. Twenty-Two
  98. Twenty-Three
  99. Twenty-Four
  100. Twenty-Five
  101. Twenty-Six
  102. Twenty-Seven
  103. Twenty-Eight
  104. Twenty-Nine
  105. Thirty
  106. Thirty-One
  107. Thirty-Two
  108. Thirty-Three
  109. Acknowledgements
  110. A FISTFUL OF CHARMS
  111. Also by the Author
  112. About the Author
  113. Copyright
  114. About the Publisher

“Tag, darling,” I said into the receiver. “You lose.”

I hit the off button mid-protest. Tossing the phone to Ivy, I smiled.

Acknowledgements

I’d like to thank Gwen Hunter for helping me with the med stuff on the bridge, and TB, who read through my diving sequences. If anything doesn’t jive, it wasn’t from these two ladies but me pushing the envelope. And of course, a very large thank you to my agent, Richard Curtis, and to my editor, Diana Gill, without whom the Hollows would have stayed in my imagination alone.

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Also by the Author

Dead Witch Walking
The Good, the Bad, and the Undead
Every Which Way but Dead
A Fistful of Charms
For a Few Demons More
Where Demons Dare
White Witch, Black Curse
Black Magic Sanction
Pale Demon
A Perfect Blood
Ever After

About the Author

New York Times bestselling Kim Harrison was born and raised in the upper Midwest, and she has since returned there to better enjoy the snow. When not at work in the Hollows series, she spends her time tending orchids, landscaping her new/old Victorian home, and learning how to golf with her mom. Her current vices include good chocolate, and exquisite sushi. Her bestselling novels include Dead Witch Walking; The Good, The Bad, and The Undead; Every Which Way But Dead; A Fistful of Charms; For a Few Demons More; and Ever After.

Copyright

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

HarperVoyager

An Imprint of HarperCollinsPublishers Ltd

77–85 Fulham Palace Road

Hammersmith, London W6 8JB

www.harpervoyagerbooks.com

Dead Witch Walking © Kim Harrison 2004
The Good, The Bad and The Undead © Kim Harrison 2005
Every Which Way But Dead © Kim Harrison 2005
A Fistful of Charms © Kim Harrison 2006

Cover layout design © HarperCollinsPublishers 2013

Kim Harrison asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.