Back The Good, the Bad, and the Undead
Chapters (41)
  1. THEGOOD,THEBAD,AND THEUNDEAD
  2. Epigraph
  3. One
  4. Two
  5. Three
  6. Four
  7. Five
  8. Six
  9. Seven
  10. Eight
  11. Nine
  12. Ten
  13. Eleven
  14. Twelve
  15. Thirteen
  16. Fourteen
  17. Fifteen
  18. Sixteen
  19. Seventeen
  20. Eighteen
  21. Nineteen
  22. Twenty
  23. Twenty-One
  24. Twenty-Two
  25. Twenty-Three
  26. Twenty-Four
  27. Twenty-Five
  28. Twenty-Six
  29. Twenty-Seven
  30. Twenty-Eight
  31. Twenty-Nine
  32. An excerpt from the latest Rachel Morgan novel, The Undead Pool, on sale on February 25, 2014!
  33. Chapter 2
  34. E-book Extra
  35. E-book Extra
  36. E-book Extra
  37. E-book Extra
  38. Acknowledgments
  39. About the Author
  40. Also by Kim Harrison
  41. About the Publisher

Ivy’s character is one of the most complex I’ve ever tried to sketch with my pen, and she’s claimed a correspondingly large portion of music. I understand her motivations, but she remains a mystery to even me at times, a confusing mix of human vulnerabilities and vampiric drives. Most recently, Mooncat introduced me to a wonderful band, Stabbing Westward, and their track “What Do I have To Do?” is scrumptious at nailing Ivy’s inner dilemma.

“Faint” by Linkin Park, “Silhouettes” by Smile Empty Soul, and “Everybody’s Fool” were all suggested by readers, and now that I’ve had a chance to get a good listen, I wholeheartedly agree. Recently a reader named Jane introduced me to Kip Winger’s music, and though almost the entire disc, Songs from the Ocean Floor, has shadows of the Hollows in it, “Faster” has Ivy all over it. NiN’s “Terrible lie,” “Sanctified,” and “Something I Can Never Have” are good matches to the plot lines, too. “Gravity,” by A Perfect Circle, is a good fit, too, but it’s a bit too collected. It’s not quite confused enough. And though it won’t make much sense until you read the second book, Evanescence’s “Away from Me” gave me chills at how close it fit Ivy’s predicament. Dash suggested “Mary Jane’s Last Dance” by Tom Petty and the Heartbreakers as bringing to mind Ivy, a relation I agree with.

Ivy’s eventual fall from grace I first heard in Duran Duran’s, “Save a Prayer.” (Okay, now you’re laughing at me or sitting there with a puzzled look wondering who Duran Duran is. I told you it was an eclectic stack of music.) And I saw who pushed her into falling after hearing Evanescence’s “Going Under.”

JENKS

Track ten on the Ocean’s Eleven soundtrack, “Planting the Seed,” fits Jenks flitting about as a gardener. Thanks to Tim from Tennessee, I found “Peter Gunn” done by Henry Mancini. It fits fantastically. (Think The Blues Brothers.) Jenks’s son Jax gets into trouble thanks to “Red-Tape” from Agent Provocateur, which is also on the Underworld sound-track though we won’t see that for ages. And please don’t write to tell me the song isn’t really about little thieves. Inspiration is where you find it.

KISTEN