Back The Good, the Bad, and the Undead
Chapters (41)
  1. THEGOOD,THEBAD,AND THEUNDEAD
  2. Epigraph
  3. One
  4. Two
  5. Three
  6. Four
  7. Five
  8. Six
  9. Seven
  10. Eight
  11. Nine
  12. Ten
  13. Eleven
  14. Twelve
  15. Thirteen
  16. Fourteen
  17. Fifteen
  18. Sixteen
  19. Seventeen
  20. Eighteen
  21. Nineteen
  22. Twenty
  23. Twenty-One
  24. Twenty-Two
  25. Twenty-Three
  26. Twenty-Four
  27. Twenty-Five
  28. Twenty-Six
  29. Twenty-Seven
  30. Twenty-Eight
  31. Twenty-Nine
  32. An excerpt from the latest Rachel Morgan novel, The Undead Pool, on sale on February 25, 2014!
  33. Chapter 2
  34. E-book Extra
  35. E-book Extra
  36. E-book Extra
  37. E-book Extra
  38. Acknowledgments
  39. About the Author
  40. Also by Kim Harrison
  41. About the Publisher

“Last chance to leave,” I said as I turned the gas burner off and moved the media to the center island.

Nick made a noise deep in his throat, setting his perfect pentagram aside and starting on the next. Envious of his smooth, straight lines, I pushed my paraphernalia aside to make a clear spot on the counter across from him.

The memory of being punished for having unknowingly tapped into a ley line and flinging the camp bully into a tree flashed through me. I thought it stupid that my dislike of ley lines might stem from the childhood incident, but I knew it was more than that. I didn’t trust ley line magic. It was too easy to lose sight of which side one’s magic was on.

With earth witchcraft, it was easy. If you have to slaughter goats, it’s probably a good bet it’s black magic. Ley line magic required a death payment, too, but it is a more nebulous death taken from your soul, much harder to quantify and easier to dismiss—until it’s too late.

The cost for white ley line witchcraft was negligible, tantamount to me pulling weeds and using them in my spelling. But the unfiltered power available through ley lines was seductive. It took a strong will to stick to self-imposed limits and remain a white ley line witch. The boundaries that looked so reasonable and prudent when set, often seemed foolish or timid when the strength of a line coursed through you. I’d seen too many friends go from the “pulling weeds” analogy to “slaughtering goats” without even realizing they’d made the jump to the black arts. And they never listened, saying I was jealous or a fool. Eventually I’d find myself hauling their asses down to the I.S. lockup when they put a black charm on the cop who pulled them over for going fifty in a thirty-five zone. Maybe that was why I couldn’t keep my friends.

Those were the ones that bothered me, basically good people who had been tempted by a power greater than their will. They were pitiable, their souls slowly eaten away to pay for the black magic they played with. But it was the professional black witches who scared me, those strong enough to foster the soul-death onto someone else to pay for their magic. Eventually, though, the soul-death found its way home, probably dragging a demon along with it. All I knew was, there was screaming, and blood, and great big booms that shook the city.

And then I didn’t have to worry about that particular witch anymore.