And after work the bellmen and the elevator operators and the doormen all crossed back into Greenwood with plenty of adrenaline still ripping through their veins and they hit the pool halls and the saloons down near First and Admiral and there was some drinking and some dancing and some fighting. Some got themselves drunk on Choctaw and rye; others got higher than kites on opium or, more and more lately, heroin.

Luther was only hanging with them boys two weeks when someone asked if he’d like to make a little something extra on the side, man as fast as he was. And no sooner was the question asked than he was running numbers for the Deacon Skinner Broscious, the man so called because he was known to carefully watch over his flock and call down the wrath of the Almighty if one of them strayed. The Deacon Broscious had once been a Louisiana gambler, the story went, won himself a big pot on the same night he killed a man, the two incidents not necessarily unrelated, and he’d come to Greenwood with a fat pocket and a few girls he’d immediately put up for rent. When those original girls got themselves in a partnership frame of mind he cut them in for a slice each and then sent them out for a whole new string of younger, fresher girls with no partnership frame of mind whatsoever and then the Deacon Broscious branched out into the saloon business and the numbers business and the Choctaw and heroin and opium business and any man who fucked, fixed, boozed, or bet in Greenwood got right familiar with either the Deacon or someone who worked for him.

The Deacon Broscious weighed north of four hundred pounds. With plenty change. More often than not, if he took the night air down around Admiral and First, he did so in a big old wooden rocker that somebody’d strapped wheels to. The Deacon had him two high-boned, high-yellow, knob-jointed, thin-as-death sons of bitches working for him, name of Dandy and Smoke, and they pushed him around town at all hours of the night in that chair, and plenty nights he’d take to singing. He had a beautiful voice, high and sweet and strong, and he’d sing spirituals and chain gang songs and even did a version of “I’m a Twelve O’Clock Fella in a Nine O’Clock Town” that was a hell of a lot better than the white version you heard Byron Harlan singing on the disc record. So there he’d be, rolling up and down First Street, singing with a voice so beautiful some said God had kept it from his favorite angels so as not to encourage covetousness in their ranks entire, and Deacon Broscious would clap his hands, and his face would bead with sweat and his smile would become the size and shine of a trout, and folks would forget for a moment who he was, until one of them remembered because he owed the Deacon something, and that one, he’d get to see behind the sweat and smile and the singing and what he saw there left an imprint on children he hadn’t even sired yet.