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Contents ( 59)
  1. Dennis Lehane
  2. The Given Day
  3. CAST OF CHARACTERS
  4. BABE RUTH in OHIO
  5. PROLOGUE
  6. The MILK RUN
  7. CHAPTER one
  8. CHAPTER two
  9. CHAPTER three
  10. CHAPTER four
  11. CHAPTER five
  12. CHAPTER six
  13. CHAPTER seven
  14. CHAPTER eight
  15. CHAPTER nine
  16. CHAPTER ten
  17. CHAPTER eleven
  18. BABE RUTH and the
  19. WORKERS REVOLUTION
  20. CHAPTER twelve
  21. WORKING CLASS
  22. CHAPTER thirteen
  23. CHAPTER fourteen
  24. CHAPTER fifteen
  25. CHAPTER sixteen
  26. CHAPTER seventeen
  27. CHAPTER eighteen
  28. CHAPTER nineteen
  29. CHAPTER twenty
  30. CHAPTER twenty-one
  31. CHAPTER twenty-two
  32. CHAPTER twenty-three
  33. BABE RUTH and the WHITE BALL
  34. CHAPTER twenty-four
  35. CHAPTER twenty-five
  36. RED SUMMER
  37. CHAPTER twenty-six
  38. CHAPTER twenty-seven
  39. CHAPTER twenty-eight
  40. CHAPTER twenty-nine
  41. CHAPTER thirty
  42. CHAPTER thirty-one
  43. BABE RUTH and the
  44. SUMMER SWOON
  45. CHAPTER thirty-two
  46. The BOSTON POLICE STRIKE
  47. CHAPTER thirty-three
  48. CHAPTER thirty-four
  49. CHAPTER thirty-five
  50. CHAPTER thirty-six
  51. CHAPTER thirty-seven
  52. CHAPTER thirty-eight
  53. CHAPTER thirty-nine
  54. The BABE GOES SOUTH
  55. CHAPTER forty
  56. Acknowledgements
  57. About the Author
  58. Also by Dennis Lehane
  59. Copyright

Danny stood. “Change hurts, Eddie, but believe me, it’s coming.”

“It isn’t.”

“It’s got to.”

Eddie shook his head. “There are fights, m’ boy, and there is folly. And I fear you’ll soon learn the difference.”

CHAPTER nineteen

In the kitchen with Nora late of a Tuesday afternoon, Nora just back from her job at the shoe factory, Luther chopping vegetables for the soup, Nora peeling potatoes, when Nora said, “You’ve a girl?”

“Hmm?”

She gave him those pale eyes of hers, the sparkle of them like a flickering match. “You heard what I said. Have you a girl somewhere?”

Luther shook his head. “No, ma’am.”

She laughed.

“What?”

“Sure, you’re lying.”

“Uh? What makes you say that?”

“I can hear it in your voice, I can.”

“Hear what?”

She gave him a throaty laugh. “Love.”

“Just ’cause I love someone don’t mean she’s mine.”

“Now that’s the truest thing you’ve said all week. Just because you love someone doesn’t mean…” She trailed off and went back to humming softly as she peeled the potatoes, the humming a habit of hers Luther was fairly certain she was unaware of.

Luther used the flat of the knife to push the chopped celery off the cutting board and into the pot. He sidestepped Nora to pull some carrots from the colander in the sink and took them back down the counter with him, chopped off their tops before lining them up and slicing them four at a time.

“She pretty?” Nora asked.

“She’s pretty,” Luther said.

“Tall? Short?”

“She kinda small,” Luther said. “Like you.”

“I’m small, am I?” She gave Luther a look over her shoulder, one hand holding the peeler, and Luther, as he had before, got the sense of the volcanic from her in the most innocent of moments. He didn’t know too many other white women and no Irishwomen, but he’d long had the feeling that Nora was a woman worth treading very carefully around.

“You ain’t big,” he said.

She looked over at him for a long time. “We’ve been acquainted for months, Mr. Laurence, and it occurred to me at the factory today that I know next to nothing, I do, about you.”

Luther chuckled. “Pot calling the kettle black if ever I did hear it.”

“You’ve some meaning you’re keeping to yourself over there?”

“Me?” Luther shook his head. “I know you’re from Ireland but not where exactly.”

“Do you know Ireland?”

“Not a whit.”

“Then what difference would it make?”

“I know you came here five years ago. I know you are courting Mr. Connor but don’t seem to think about it much. I—”

“Excuse me, boy?”

Luther had discovered that when the Irish said “boy” to a colored man it didn’t mean what it meant when a white American said it. He chuckled again. “Hit a nerve there, I did, lass?”

Nora laughed. She held the back of her wet hand to her lips, the peeler sticking out. “Do that again.”

“What?”

“The brogue, the brogue.”