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Contents ( 59)
  1. Dennis Lehane
  2. The Given Day
  3. CAST OF CHARACTERS
  4. BABE RUTH in OHIO
  5. PROLOGUE
  6. The MILK RUN
  7. CHAPTER one
  8. CHAPTER two
  9. CHAPTER three
  10. CHAPTER four
  11. CHAPTER five
  12. CHAPTER six
  13. CHAPTER seven
  14. CHAPTER eight
  15. CHAPTER nine
  16. CHAPTER ten
  17. CHAPTER eleven
  18. BABE RUTH and the
  19. WORKERS REVOLUTION
  20. CHAPTER twelve
  21. WORKING CLASS
  22. CHAPTER thirteen
  23. CHAPTER fourteen
  24. CHAPTER fifteen
  25. CHAPTER sixteen
  26. CHAPTER seventeen
  27. CHAPTER eighteen
  28. CHAPTER nineteen
  29. CHAPTER twenty
  30. CHAPTER twenty-one
  31. CHAPTER twenty-two
  32. CHAPTER twenty-three
  33. BABE RUTH and the WHITE BALL
  34. CHAPTER twenty-four
  35. CHAPTER twenty-five
  36. RED SUMMER
  37. CHAPTER twenty-six
  38. CHAPTER twenty-seven
  39. CHAPTER twenty-eight
  40. CHAPTER twenty-nine
  41. CHAPTER thirty
  42. CHAPTER thirty-one
  43. BABE RUTH and the
  44. SUMMER SWOON
  45. CHAPTER thirty-two
  46. The BOSTON POLICE STRIKE
  47. CHAPTER thirty-three
  48. CHAPTER thirty-four
  49. CHAPTER thirty-five
  50. CHAPTER thirty-six
  51. CHAPTER thirty-seven
  52. CHAPTER thirty-eight
  53. CHAPTER thirty-nine
  54. The BABE GOES SOUTH
  55. CHAPTER forty
  56. Acknowledgements
  57. About the Author
  58. Also by Dennis Lehane
  59. Copyright

“You seen your old girlfriend?”

Danny grimaced. “If I’d seen her, she’d be in jail now.”

McKenna took a sip from his flask. “You been looking?”

“I’ve been all over this damn state. I even crossed into Connecticut a few times.”

“Locally?”

“The Justice guys are crawling all over the North End looking for Tessa and Federico. So the whole neighborhood is tense. Closed up. No one is going to talk to me. No one’s going to talk to any Americano.”

McKenna sighed and rubbed his face with the heels of his hands. “Well, I knew it wasn’t going to be easy.”

“Nope.”

“Just keep plugging.”

Jesus, Danny thought. This—this—was detective work? Fishing without a net?

“I’ll get you something.”

“Besides a hangover?”

Danny gave him a weak smile.

McKenna rubbed his face again and yawned. “Fucking terrorists, I swear to Christ.” He yawned again. “Oh, you never came across Nathan Bishop, did you? The doctor.”

“No.”

McKenna winked. “That’s ’cause he just did thirty days in the Chelsea drunk tank. They kicked him loose two days ago. I asked one of the bulls there if he’s known to them and they said he likes the Capitol Tavern. Apparently, they send his mail there.”

“The Capitol Tavern,” Danny said. “That cellar-dive in the West End?”

“The same.” McKenna nodded. “Maybe you can earn a hangover there, serve your country at the same time.”

Danny spent three nights at the Capitol Tavern before Nathan Bishop spoke to him. He’d seen Bishop right off, as he came through the door the very first night and took a seat at the bar. Bishop sat alone at a table lit only by a small candle in the wall above it. He read a small book the first night and from a stack of newspapers the next two. He drank whiskey, the bottle on the table beside the glass, but he nursed his drinks the first two nights, never putting a real dent in the bottle, and walking out as steadily as he’d walked in. Danny began to wonder if Finch and Hoover’s profile had been correct.

The third night, though, he pushed his newspapers aside early and took longer pulls from the glass and chain-smoked. At first he stared at nothing but his own cigarette smoke, and his eyes seemed loose and faraway. Gradually his eyes found the rest of the bar and a smile grew on his face, as if someone had pasted it there too hastily.

When Danny first heard him sing, he couldn’t connect the voice to the man. Bishop was small, wispy, a delicate man with delicate features and delicate bones. His voice, however, was a booming, barreling, train-roar of a thing.

“Here he goes.” The bartender sighed yet didn’t seem dissatisfied.

It was a Joe Hill song, “The Preacher and the Slave,” that Nathan Bishop chose for his first rendition of the night, his deep baritone giving the protest song a distinctly Celtic flavor that went with the tall hearth and dim lighting in the Capitol Tavern, the low baying of the tugboat horns in the harbor.