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Contents ( 59)
  1. Dennis Lehane
  2. The Given Day
  3. CAST OF CHARACTERS
  4. BABE RUTH in OHIO
  5. PROLOGUE
  6. The MILK RUN
  7. CHAPTER one
  8. CHAPTER two
  9. CHAPTER three
  10. CHAPTER four
  11. CHAPTER five
  12. CHAPTER six
  13. CHAPTER seven
  14. CHAPTER eight
  15. CHAPTER nine
  16. CHAPTER ten
  17. CHAPTER eleven
  18. BABE RUTH and the
  19. WORKERS REVOLUTION
  20. CHAPTER twelve
  21. WORKING CLASS
  22. CHAPTER thirteen
  23. CHAPTER fourteen
  24. CHAPTER fifteen
  25. CHAPTER sixteen
  26. CHAPTER seventeen
  27. CHAPTER eighteen
  28. CHAPTER nineteen
  29. CHAPTER twenty
  30. CHAPTER twenty-one
  31. CHAPTER twenty-two
  32. CHAPTER twenty-three
  33. BABE RUTH and the WHITE BALL
  34. CHAPTER twenty-four
  35. CHAPTER twenty-five
  36. RED SUMMER
  37. CHAPTER twenty-six
  38. CHAPTER twenty-seven
  39. CHAPTER twenty-eight
  40. CHAPTER twenty-nine
  41. CHAPTER thirty
  42. CHAPTER thirty-one
  43. BABE RUTH and the
  44. SUMMER SWOON
  45. CHAPTER thirty-two
  46. The BOSTON POLICE STRIKE
  47. CHAPTER thirty-three
  48. CHAPTER thirty-four
  49. CHAPTER thirty-five
  50. CHAPTER thirty-six
  51. CHAPTER thirty-seven
  52. CHAPTER thirty-eight
  53. CHAPTER thirty-nine
  54. The BABE GOES SOUTH
  55. CHAPTER forty
  56. Acknowledgements
  57. About the Author
  58. Also by Dennis Lehane
  59. Copyright

“Are you angry?” Denton shouted again. “Go ahead—fucking hit one another.”

The room began to quiet. Half the men turned back toward the stage.

“That’s what they want you to do,” Denton called. “Beat yourselves to a pulp. Go ahead. The mayor? The governor? The city council? They laugh at you.”

The last of the men stopped fighting. They sat.

“Are you angry enough to do something?” Mark Denton asked.

No one spoke.

“Are you?” Denton shouted.

“Yes!” a thousand men shouted back.

“We’re a union, men. That means we come together as one body with one purpose and we take it to them where they live. And we demand our rights as men. Any of you want to sit this out? Then fucking sit. The rest of you—show me what we are.”

They rose as one—a thousand men, some with blood on their faces, some with tears of rage bubbling in their eyes. And Danny rose, too, a Judas no longer.

He met his father as his father was leaving the Oh-Six in South Boston.

“I’m out.”

His father paused on the station house steps. “You’re out of what?”

“The union-rat job, the radicals, the whole thing.”

His father came down the stairs and stepped in close. “Those radicals could make you a captain by forty, son.”

“Don’t care.”

“You don’t care?” His father gave him a withered smile. “You turn this chance down, you’ll not get another shot at that gold shield for five years. If ever.”

Fear at that prospect filled Danny’s chest, but he jammed his hands deeper in his pockets and shook his head. “I won’t rat on my own men.”

“They’re subversives, Aiden. Subversives within our own department.”

“They’re cops, Dad. And by the way, what kind of father are you to send me into that kinda job? You couldn’t find someone else?”

His father’s face grew gray. “It’s the price of the ticket.”

“What ticket?”

“For the train that never runs out of track.” He rubbed his forehead with the heel of his hand. “Your grandchildren would have ridden it.”

Danny waved it off. “I’m going home, Dad.”

“Your home’s here, Aiden.”

Danny looked up at the white limestone building with its Grecian columns. He shook his head. “Your home is.”

That night he went to Tessa’s door. He knocked softly, looking up and down the hall, but she didn’t answer. So he turned and walked toward his room, feeling like a kid carrying stolen food under his coat. Just as he reached his door, he heard hers unlatch.

He turned in the corridor and she was coming down the hallway toward him with a coat thrown over her shift, barefoot, her expression one of alarm and curiosity. When she reached him, he tried to think of something to say.

“I still felt like talking,” he said.

She looked back at him, her eyes large and dark. “More stories of the Old Country?”

He thought of her on the floor of Primo Alieveri’s great hall, the way her flesh would have looked against the marble as the light of the fire played on her dark hair. A shameful image, really, in which to find lust.