Back The Genesis of Misery
Chapters (55)
  1. Copyright Notice
  2. Dedication
  3. PROLOGUE
  4. PART ONE THE CAPITAL
  5. CHAPTER 1
  6. CHAPTER 2
  7. INTERLUDE 1
  8. CHAPTER 3
  9. CHAPTER 4
  10. INTERLUDE 2
  11. CHAPTER 5
  12. CHAPTER 6
  13. INTERLUDE 3
  14. CHAPTER 7
  15. PART TWO ANGELSTEETH BASE
  16. CHAPTER 8
  17. CHAPTER 9
  18. INTERLUDE 4
  19. CHAPTER 10
  20. CHAPTER 11
  21. CHAPTER 12
  22. CHAPTER 13
  23. CHAPTER 14
  24. INTERLUDE 5
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. CHAPTER 18
  29. CHAPTER 19
  30. INTERLUDE 6
  31. CHAPTER 20
  32. CHAPTER 21
  33. CHAPTER 22
  34. INTERLUDE 7
  35. PART THREE THE SIEGE OF MONKGLASS
  36. CHAPTER 23
  37. CHAPTER 24
  38. CHAPTER 25
  39. CHAPTER 26
  40. CHAPTER 27
  41. CHAPTER 28
  42. CHAPTER 29
  43. INTERLUDE 8
  44. CHAPTER 30
  45. CHAPTER 31
  46. INTERLUDE 9
  47. CHAPTER 32
  48. CHAPTER 33
  49. INTERLUDE 10
  50. CHAPTER 34
  51. CODA
  52. EPILOGUE
  53. ACKNOWLEDGMENTS
  54. ABOUT THE AUTHOR
  55. Newsletter Sign-up

Her voice is almost soundless by the time she stops speaking. Misery feels the same desperate emptiness. One hand wraps itself around the princess’s hip bone and grips it. Their eyes meet, and then she’s peeling off Alodia Lightning’s clothes like the skin of a fruit. Their bodies collide as Misery pushes her toward the bed, then Alodia Lightning is sinking into the obedient foam of the mattress, sighing, her knees falling apart, the battle over before it even began. Misery untangles herself from her clothes as her mouth finds the lines of Alodia Lightning’s neck, the shape of her clavicles, the textured bump of a nipple. Her body is a solid, breathing form under Misery’s, remarkably dependable and yet a surprising delight, the way it moves and ripples as Misery sinks into her. This too is holiness, a pulse in the throat and between the fingers, the soft rush of skin against skin. Coming undone is only half of it. The other side of the journey—the two of them knitting together, the synchronization of their bodies, of cause and effect—is where word incarnates into form. The joining of their flesh is the consummation of their fates. Misery rides high and watches as Alodia Lightning is resculpted by pleasure, novel feelings being shaped on her face.

Afterward they lie together in silence. Misery studies the languid rhythm of her partner’s breaths, the intimate geography of her veins and tendons. A calm settles over her like the heaviness of air after a windstorm. Is this contentment? Happiness? She doesn’t know. She feels comfortable, that is all. She is so rarely comfortable.

The princess stirs with sleep-laced determination. “I have a request.”

“What is it?”

“Call me Lightning,” she says, voice muffled by their proximity.

“Your personal name? Are you sure? No one here calls you that, not even the Duke.”

“I’m giving you permission,” she says.

Misery mouths the word carefully and slowly: “Lightning.” Testing how it fits on her tongue, against her teeth. It’s delicious, like a vine-fresh fruit, packed with sweet juices. “Lightning.”

A smile curves across Lightning’s face. “There. It’s yours now.”

Misery runs a fingertip under the curve of her lower lip. “It is.” That the princess belongs to her now in this intimate way delights her. She lets that thought carry her into sleep.

INTERLUDE 7