Chapters (41)
- Cover Page
- Title Page
- Contents
- Dedication
- Map of British Colonial India
- Preface
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Chapter Fourteen
- Chapter Fifteen
- Chapter Sixteen
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Chapter Twenty-One
- Chapter Twenty-Two
- Chapter Twenty-Three
- Chapter Twenty-Four
- Chapter Twenty-Five
- Chapter Twenty-Six
- Chapter Twenty-Seven
- Chapter Twenty-Eight
- Chapter Twenty-Nine
- Chapter Thirty
- Author’s Thanks
- About the Author
- Other Mystery Novels by Laurie R. King
- Copyright Page
- eBook Info
The maharaja rose from his panther-skin chair and walked over to a table that appeared made of grey-painted wood, and on closer look proved to have a texture. It was covered in elephant hide, I realised, and somehow that final outrage tipped me over the edge, and I was suddenly icy calm.
“I have something for you,” he said. “Since you did not wish the boar’s head for your wall, I had this small souvenir made, a memento of your first pig-hunt.”
I looked apprehensively at the velvet-covered box he was holding out to me, and kept my hands at my sides. “That’s really not necessary.”
So he opened it himself and turned it for me to see.
Since Wednesday’s hunt, he had somehow contrived to have all four tusks of the boar removed and handed over to a goldsmith for mounting. The object before me had a central shaft as long as a hand, made of heavy, deep-red gold that had been intricately worked with a design I recognised from the stamp on the note that had brought me here, the crest of Khanpur. From the gleaming metal protruded the tusks, the shorter pair curving up from the bottom, the longer upper tusks rising from the shaft above them to curl together, nearly forming a circle above the gold. The tusks themselves had not been touched, aside from their removal, and looked as they had when they came to rest on the ground near my foot: the ivory as yellowed as a smoker’s teeth, the tip of the upper left one snapped off and worn blunt, even the dried spatter of blood that had been burned into my memory when the beast had been struggling to eviscerate me. The art of the goldsmith had been linked to these brutal tools for digging and killing, man’s most intricate craftsmanship used to set off all the nicks, grime, and blood that Nature had provided.
It was quite the ugliest thing I had ever seen in my life.
Beyond its mere appearance, the ornament was repugnant on any number of levels: aesthetically, yes, but also emotionally, in its attempt to create beauty from what was essentially a grisly extermination; theologically, in its glorification of the uncleanest of animals; even politically, that in a poor land, so much gold should be used for a frivolity. The maharaja of Khanpur held the box out to me, willing me to take it. I did so, reluctantly, then laid it immediately upon the elephant-hide table.
Satisfied, he went around the desk and sat down behind it, gesturing me to the chair on the other side. Since this appeared to be merely wood, not bison’s leg-bones or stiffened cobras, I sat down in it. He crossed his legs and said, “I wanted to have a further conversation with you about your proposal for women’s education.”