The chuprassi conducted me to New Fort’s east wing, where the maharaja’s private quarters lay. We entered through a brightly gilded archway just to the left of the gates, and within half a dozen steps, my jaw dropped. I had grown accustomed to the grand opulence of the central wing, but the corridor we walked down, the rooms whose open doors we passed, were another thing altogether. Here were unlocked display cabinets of exquisite miniatures, ivory and gold, beside paintings that any museum in Europe would covet. In one room, I saw Louis XIV furniture, clearly in daily use; in another room stood a display of trophies and photographs, including the one for the 1922 Kadir Cup that I had seen in Nesbit’s house. I tried not to gawp as we walked past, but my head swivelled unceasingly.

It was a revelation. These paintings, those trophies, had been placed here for the sole pleasure of one man, not as a way of impressing his guests—these fragile carpets took no concern of the wear of many feet, and the rooms had been arranged for his privacy and comfort, not for the appreciation of groups. The maharaja clearly enjoyed—even gloated over—his possessions, but he kept the true treasures to himself.

At the very end of the long corridor, the chuprassi opened a door and bowed me through; once inside, I stopped dead.

I do not know what was more disconcerting, the completely muffled sound in the room or its dim light, but one’s immediate response on entering the room was a frisson of alertness up the spine. Perhaps it was some trace aroma of the predator all around that made one go still, not even breathing, until the only motion to defy the room’s smothering atmosphere was the hair creeping upright on one’s skin. In any case, it wasn’t until one’s eyes became used to the light that the sensation of entering a lair became strong. And perhaps a full minute had to pass before the eyes told one why.

The walls, floor to ceiling, were covered in tiger fur. Black and orange stripes, running first in this direction, then that, fitted together like a jigsaw puzzle, seamless but for a faint rectangular shape in the back wall. In the upper corners of the room, clustered and snarling, were mounted the heads.

I shuddered in reaction, and someone chuckled, the sound damped and muffled.

I whirled, and there was the maharaja, sitting in a chair of unrelieved black. Panther, my mind informed me; and the fluffy black-and-gold rug on which his boots were resting was made of the tails of the tigers on the wall. I swallowed convulsively, whether to repress fear or visceral disgust, I was not sure.