"Whoa." Harry's forehead wrinkles further. "Listen. There could be a problem: you drawing a HOG and a gun, and your good lady wife's violin, that makes you a regular arsenal, dunnit? Now, if I was signing out an alarm to, oh, that nice Mrs. Thompson in Human Resources"—I shudder—"there'd be no problem, on account of how she and her hubby and that no-good son of theirs ain't certificated for combat and wouldn't know a receiver from a slide if they trapped their fingers between them. Right? But let me just put it to you: suppose I sign an alarm out to you, put you and your missus on the watch list, and a bad guy comes calling at your front door. You and Dr. O'Brien go to the mattresses, and you activate the alarm, and being you and the missus you give as good as you get. Thirty seconds later the Watch Team are on your case and zoom in. Heat of battle, heat of battle: How do the Watch Team know that the people shooting from inside your house are you and your wife? What if you've gotten out through the back window? That's how blue-on-blue happens, my son. I figure you ought to think this one through some more."

"Okay." I look around the compact armory. "Guess you're right."

We've got a panic button, it's part of the kit the Plumbers fitted us out with; but an alarm of the kind I'm talking about is portable, personal, you carry it on your body and there's a limited list of folks who carry them—that kind of cover is computationally expensive—and if you're on the watch list and you trigger the alarm, SCORPION STARE wakes up and starts looking for you. And for everyone who might be threatening you. You don't want to press that button by accident, believe me.

"One ward, one HOG, and a +2 magic pistol of invisible smiting. Anything else I need to know?"

"Yeah. Come back in an hour and I'll have all the paperwork waiting for you to sign. The HOG and the ward I can give you once I get your chop; the pistol will take a little longer." Harry shrugs. "Best I can do, awright?"

"You're a champ." I make my good-byes, then head off. I've got other things to do before I go home.

I'M ON MY WAY TO ANDY'S OFFICE WHEN IRIS RUNS ME down.

"Bob! What are you doing here? I thought I told you to take the week off?" She sounds mildly irritated, and a little out of breath, as if she's been running around looking for me. "Hey, what happened to your head?"

I shrug. "Stuff came up."

She looks concerned. "In my office."

I demur: her office is her territory. "Look, Mo came back from . . . a job . . . in pieces, really rattled. Then the job followed her home, and that's a full-dress panic—"

Her eyes narrow: "How bad?"