"Right. We're leaving." Mistress's voice is so chilly you could rent it out as an air conditioner. "Philip is dead. This will not be received well by All-Highest. Let me do the talking, if you value your life."

"But can't we—" Windbag whines.

I don't hear what he says next, though, because Mistress says something in a voice that distorts weirdly as she speaks: and then a hole in the air opens and closes, and they're not there anymore. Neither is the Hound. It's gone, taking the corpse of Minion #1 back to wherever it is that the Hounds come from. The glamour is gone, too: below me, the cycle path is restored—just another rustic suburban alleyway, lit by the streetlight glare from the nighttime clouds overhead.

I shudder uncontrollably for a minute. Then I carefully extinguish the fingers of the HOG, holster my pistol, stumble back down the embankment to the footpath, and dust myself off.

They weren't after Mo: they were after me. They knew how to find me and they wanted to know about the Teapot. Once is happenstance, but twice is enemy action, which means it's time to go to work.

9. Night shift

WALKING TO THE OFFICE ISN'T SOMETHING I'D NORMALLY DO, because it takes about three hours, but I am feeling inconveniently surveilled and I don't like the idea of the MAGINOT BLUE STARS network being able to track me. So I follow the footpath for another half kilometer before reigniting the Hand of Glory and dashing back almost all the way I've come, then exiting onto a side street. I take two corners and jump a fence into somebody's backyard before I extinguish the HOG again, then walk out casually with my shoulders back and my chin up.

A bus ride in an irrelevant direction takes me ten minutes farther away from the office—then it's into a back alley and time to reignite the HOG for a brisk kilometer. Finally I snuff it out and catch a different bus that passes close enough to the New Annexe that I can walk from the stop.

I march up to the darkened C&A staff entrance and key my number, then swipe my pass card. The door clicks, and I step inside. It's totally black, and in the gloom I can hear the restless shuffling of one of the night staff. I pull out my warrant card hastily, lest I be eaten by a grue: arguing with the night watchmen is singularly futile unless you do it with a chain saw or a baseball bat.

"Brrrrr—"