"Ten to one there's nobody at the gatehouse. Or if there is, he's one of them."

"And we've got eight thousand acres to cover, and no CCTV, never mind SCORPION STARE." Barnes's expression is sour. "No surveillance, no look-to-kill—the ASU had better deliver or they'll hand us our heads on a plate."

"What would your preferred option be?" Angleton asks softly, his voice almost lost beneath the road noise.

"If we had time—" Barnes grimaces. "I'm sorry, Mo. I can't afford to throw lives away needlessly by going after Bob before we're ready."

"But we're not just going in after Bob," she says tartly. "We're going in to prevent the Black Brotherhood doing whatever it is they're planning. Angleton: the Ford paper was a decoy, granted—but what can they do anyway? What kind of summoning are we looking at?"

"They can try to summon up the Eater of Souls." His smile is ghastly. "They won't get him. What they get in his place—could be anything—" His smile fades, replaced by a look of perplexity. "That's funny."

"Funny?" Mo leans forward. "What's funny?"

Angleton raises his right hand and rubs it against his chest. "I feel odd."

"Oh come on, you can't pull that—" Mo stops. "Angleton?"

His eyes are closed, as if asleep. "They're calling," he whispers. "The dead are calling ..."

"Dr. O'Brien—" Major Barnes stares at Angleton. "Code Red!" he calls, yelling at the back of the truck. "Code Red!"

Angleton leans against his seat belt, unmoving.

THE HUMAN SACRIFICE IS OVER IN SECONDS: IRIS IS THE KIND of priestess who believes in running a tight ship, and the tiny body stops thrashing mercifully fast. She lowers the bloody knife to the altar below the foot of the bed and what happens next is concealed from me.

I lie back and screw my eyes shut, but blocking out the sight of what they're doing doesn't make things better: I can feel blind things moving in the darkness, all around, scraping and scrabbling at the porous walls of the world. They're trying to get in. I invited them, and many of them have found bodies, but those that haven't—there are myriads of them. What have I done? I'm not sure. I'm not sure of anything except horror and disgust and a sense of nauseous unease at my own body. I'm lying on a bed, surrounded by corpses, at the exact end of a ley line that connected the capital with its dead underbelly, the citadel of silence in the English countryside. And they're trying to do something awful, using me as a vessel, but it failed. Just like my attempt to use the energy of my own death to summon the eaters in the night—