Chapters (80)
- Cover
- Dedication
- INTROIT: KYRIE ELEISON
- QUID SOM, MISER! TUNC DICTCIRCIS?
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- GUARENS ME, SEDISTI LASSOS
- Chapter 8
- OFFERTORIUM
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- AGNUS DEI
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- LACRIMOSA DIES ILLA!
- Chapter 61
- HOSTIAS ET PRECES TIBI, LAODIS OFFERIMUS
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- DIES IRAE
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- AGNUS DEI
- Acknowledgments
Trevor Hicks slowed the rented white Chevrolet as he approached the small town of Shoshone—little more than a junction, according to the map. He saw a cinder-block U.S. post office flanked by tall tamarisk trees and beyond it, a stark sprawling white building housing a gas station and grocery store. On the opposite side of the highway was a coffee shop and attached to it, a spare building with neon beer advertisements in its two small square windows. A small sign spelled out "Crow Bar" in flickering light bulbs—a local tavern or pub, obviously. Hicks had always been partial to local pubs. This one, however, did not seem to be open.
He pulled into the post office's gravel parking lot, hoping to ask someone if the coffee shop was worth a visit. He didn't trust local American eateries any more than he liked most American beer, and he did not think the appearance of the coffee shop—or café, as it styled itself on an inconspicuous sign—was very encouraging.
It was almost five o'clock and the desert was already chilly. Twilight was an hour or so away and a mournful wind blew through the tamarisk trees beside the post office. His morning and afternoon had been frustrating— a rental car breakdown fifty miles outside Las Vegas, a ride in the tow truck, arranging for another car, and as a lagniappe, a heated conversation with his publisher's publicist when he thought to call and explain his missed interview . . . Delay after delay. He stood near the car for a moment, wondering what sort of idiot he was, then chose the glass door on his right. As it happened, that led him into the local equivalent of a branch library—two tall shelves of books in a corner, with a child-sized reading table squatting before them. A counter stood opposite the shelves, and beyond it the furniture and apparatus—so a small plaque read—of the Charles Morgan Company. The door on the left led into a separate alcove that was the post office proper. The air of the office was institutional but friendly.
Beyond the counter, seated before an old desktop computer, was a stately woman of about seventy-five or eighty years, wearing jeans and a checked blouse, her white hair carelessly combed back. She spoke into a black phone receiver cradled between her neck and shoulder. Slowly, she swiveled on her chair to glance at Hicks, then raised one hand, requesting patience.
Hicks turned to examine the books in the library.
"No, Bonnie, not a word," the woman said, her warm voice cracking slightly. "Not a word since the letter. I'm just about at my wits' end, you know. Esther and Mike have quit. No. I'm doing fine, but things are kind of sliding here ..."
The library held a fair selection of science books, including one of his own, an early popular work on communications satellites, long since out of date.