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Chapters (80)
  1. Cover
  2. Dedication
  3. INTROIT: KYRIE ELEISON
  4. QUID SOM, MISER! TUNC DICTCIRCIS?
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. GUARENS ME, SEDISTI LASSOS
  12. Chapter 8
  13. OFFERTORIUM
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. AGNUS DEI
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. LACRIMOSA DIES ILLA!
  65. Chapter 61
  66. HOSTIAS ET PRECES TIBI, LAODIS OFFERIMUS
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. DIES IRAE
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. AGNUS DEI
  80. Acknowledgments

"No," Hicks said. A spark went off in his head. Something intuited. The boy's accent was urban, middle-western bland. His voice was resonant and he sounded convinced and rational, words crisp. "You could be a complete nut, whoever you are," Hicks said.

"You said you'd take them home to meet your mom. Your mother. They heard you out around Europa. When they were building. Now they're here. I found one dissecting a mouse, Mr. Hicks. Learning all about it. I think they want to help, but I'm very confused. They haven't hurt me."

Hicks remembered: he had made that statement in California, on a local radio show. It would have been very difficult for a midwestern teenager to have heard it.

There was something earnest and truly awed and frightened in the young man's voice. Hicks glanced at the ceiling, licking his lips, realizing he had already made his decision.

He had always been something of a romantic. To stay in journalism so long, one had to secretly believe in events full of drama and significance, key moments, points of turnaround in history. He was beginning to shake with excitement. Instincts conflicting—reporter's instincts, survival instincts.

"Can you come out to the hotel?" he asked.

"Yeah, I can take a cab."

"I'll meet you in the lobby. I'd rather be careful, you know. I'll be in the middle of lots of people." He hoped the lobby was crowded. "How will I know you?"

"I'm tall, like a basketball player. I'm black. I'll be in an old green army coat."

"All right," Hicks said. "In an hour?"

"I'll be there."

PERSPECTIVE

KNBC man-in-the-street interview,

December 15, 1996,

conducted at the gate to the Universal Studios tour "Earthbase 2500" attraction:

Anchor: We're asking people what they think about the President's proclamation.

Middle-aged Man (Laughs): I don't know . . . I can't make heads or tails, can you? (Cut away)

Anchor: Excuse me, we're asking people what they think about the President's statement that the Earth is going to be destroyed.

Young Woman: He's crazy, and they should get him out of office. There aren't any such things as what he' s talking about.

Anchor: Standing here, in the shadow of a giant invading spacecraft, its weapons aimed at the crowd, how can you be so sure?

Young Woman: Because I'm educated, dammit. He's crazy and he shouldn't be in office.

Anchor (Moving on to an adolescent boy) : Excuse me. What do you think of the President's statement that aliens have landed and are intent on destroying the Earth?

Adolescent Boy: It scares me.

Anchor: Is that all?

Adolescent Boy: Isn't that enough?

Chapter 41

41

What Arthur saw, in the bed, was already a ghost: thin wrinkled arms pale on the counterpane, face blotched, pale translucent green oxygen tube going to his nose, drugs seeping into his arm controlled by a small blue box with a flat-screen readout.