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Chapters (80)
  1. Cover
  2. Dedication
  3. INTROIT: KYRIE ELEISON
  4. QUID SOM, MISER! TUNC DICTCIRCIS?
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. GUARENS ME, SEDISTI LASSOS
  12. Chapter 8
  13. OFFERTORIUM
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. AGNUS DEI
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. LACRIMOSA DIES ILLA!
  65. Chapter 61
  66. HOSTIAS ET PRECES TIBI, LAODIS OFFERIMUS
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. DIES IRAE
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. AGNUS DEI
  80. Acknowledgments

From ten thousand miles, the Earth seemed as natural and peaceful and beautiful as it had over thirty years before, when Arthur had first seen it in full-frame pictures from space. That view—a clouded jewel, opal and lapis marbled with rich whorls of cloud—had entranced him, made him more than ever before feel a part of some cosmic whole. It had changed his life.

The witnesses were subdued. Nobody said a word or made a loud sound. He had never experienced such rapt concentration in a crowd. Marty stood by his side, having let go of his hand, a boy barely four feet eleven inches tall, standing alone. How much does he understand?

Perhaps as much as I do.

Nothing compared with what they expected to see. Not the burning of an ancestral house, or the sinking of an ocean liner; not the bombing of a city, or the horror of mass graves in time of revolution or war. The crime that had been committed against humanity was virtually total. Except for them—the occupants of the arks, and the records saved for transport in the arks—the Earth would be no more.

He could not wrap his thoughts around the totality. He had to take separate losses and mull them over. They were highly personal losses, things he would regret; but his single mind was not the holographic mind of humanity.

Essential things would be destroyed that he had never known. Connections, evidences, histories as yet uncovered, irretrievable. All the arks could save was what humans had so far learned about themselves. Hereafter, they would be refugees with no hope of ever returning to a homeland, no hope of recovering the thread of the pasts they had lost.

They would be dependent on the kindness, or whatever their motivations might be, of strangers, of nonhuman intelligences that so far had shown little evidence of being willing to reveal themselves; benefactors as mysterious as their destroyers.

Lives. Billions of human beings, their existence always fragile, sharing mutual oblivion. There was no way Arthur could encompass that. He had to deal in abstractions.

The abstractions were enough to sear him. Backed by the realization that what he saw was real and immediate, his soul burned. He had had months to come to grips with these facts and implications; those months had not done to him what the vision of the Earth, whole and bright, was doing to him now.

No explanations came from the network. Later, when each of the witnesses had faced their private griefs, perhaps the details of the end would be made clear, and a planetary postmortem would be conducted.

Strange images flashed through his mind. Television commercials from his childhood, smiling women in Peter Pan collars with tightly coiffed hair, images of motherhood tending perfect families. Faces of soldiers dying in Vietnam. Presidents standing one by one before the television cameras, ending with Crockerman, a very sad image indeed.