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Chapters (80)
  1. Cover
  2. Dedication
  3. INTROIT: KYRIE ELEISON
  4. QUID SOM, MISER! TUNC DICTCIRCIS?
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. GUARENS ME, SEDISTI LASSOS
  12. Chapter 8
  13. OFFERTORIUM
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. AGNUS DEI
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. LACRIMOSA DIES ILLA!
  65. Chapter 61
  66. HOSTIAS ET PRECES TIBI, LAODIS OFFERIMUS
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. DIES IRAE
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. AGNUS DEI
  80. Acknowledgments

His lamps played off the complex faceting of the opposite side of the main chamber. Walking to the lip of the antechamber, circling the beam of his torch over the faceted cathedral vastness, he tried to make out the red light Rogers had photographed. He couldn't see it. Taking a deep breath—as he imagined Rogers had done before— he turned off all his lights and settled into a squat a couple of meters from the edge.

Circular. Designed for weightless conditions? How could all this crystalline structure survive planetfall? What in hell is the function? After five minutes, he still couldn't make out a red light in the vastness. "One change, at least," he noted aloud for the recorder.

He switched on the torch again and scrutinized the faceting intently, moving his eyes a few degrees, then again, trying to discern some pattern or evident function. It was beautiful, which implied a pattern, but beyond that...

Could all the facets be used to focus some sort of radiation drive? If so, then was the throat of the drive where he was now standing, in the (presently) closed antechamber? Would the tunnel into the mound then represent a kind of relief valve, left open to evacuate the contents of the chamber after landing? There were no traces of hot exhaust blast outside. Perhaps all that had been obscured after the landing, during the time the craft was camouflaged.

If he stood on tiptoes, he still could not hold the torch high enough to put it in the focal center of the antechamber cylinder, which was about two meters above the greatest stretch of his arms. A simple stepladder . . . and he could see if the facets reflected the beam directly back at him.

Even from where he stood, that didn't seem likely.

What would Marty think, knowing his daddy was even now standing inside an alien spacecraft? What would Francine think?

If it is a spacecraft. Everybody seems to assume that. Perhaps the spacecraft left machines to construct this, and it was never in space at all. If so, why?

The cool dark quiet was profound, almost comforting. Reminds me of an anechoic chamber. Maybe the facets are dampers of some sort. He whistled sharply. The whistle returned, muted but clear. His voice, however, did not return. He shut off the microphone and shouted several times to make that point. The first two shouts were wordless, mere yells, apelike, and somehow he felt better after them. The third shout came out of him so rapidly he had no time to think.

"What the hell are you doing here? What are you doing to us, goddammit?"