Chapters (80)
- Cover
- Dedication
- INTROIT: KYRIE ELEISON
- QUID SOM, MISER! TUNC DICTCIRCIS?
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- GUARENS ME, SEDISTI LASSOS
- Chapter 8
- OFFERTORIUM
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- AGNUS DEI
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- LACRIMOSA DIES ILLA!
- Chapter 61
- HOSTIAS ET PRECES TIBI, LAODIS OFFERIMUS
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- DIES IRAE
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- AGNUS DEI
- Acknowledgments
His lamps played off the complex faceting of the opposite side of the main chamber. Walking to the lip of the antechamber, circling the beam of his torch over the faceted cathedral vastness, he tried to make out the red light Rogers had photographed. He couldn't see it. Taking a deep breath—as he imagined Rogers had done before— he turned off all his lights and settled into a squat a couple of meters from the edge.
Circular. Designed for weightless conditions? How could all this crystalline structure survive planetfall? What in hell is the function? After five minutes, he still couldn't make out a red light in the vastness. "One change, at least," he noted aloud for the recorder.
He switched on the torch again and scrutinized the faceting intently, moving his eyes a few degrees, then again, trying to discern some pattern or evident function. It was beautiful, which implied a pattern, but beyond that...
Could all the facets be used to focus some sort of radiation drive? If so, then was the throat of the drive where he was now standing, in the (presently) closed antechamber? Would the tunnel into the mound then represent a kind of relief valve, left open to evacuate the contents of the chamber after landing? There were no traces of hot exhaust blast outside. Perhaps all that had been obscured after the landing, during the time the craft was camouflaged.
If he stood on tiptoes, he still could not hold the torch high enough to put it in the focal center of the antechamber cylinder, which was about two meters above the greatest stretch of his arms. A simple stepladder . . . and he could see if the facets reflected the beam directly back at him.
Even from where he stood, that didn't seem likely.
What would Marty think, knowing his daddy was even now standing inside an alien spacecraft? What would Francine think?
If it is a spacecraft. Everybody seems to assume that. Perhaps the spacecraft left machines to construct this, and it was never in space at all. If so, why?
The cool dark quiet was profound, almost comforting. Reminds me of an anechoic chamber. Maybe the facets are dampers of some sort. He whistled sharply. The whistle returned, muted but clear. His voice, however, did not return. He shut off the microphone and shouted several times to make that point. The first two shouts were wordless, mere yells, apelike, and somehow he felt better after them. The third shout came out of him so rapidly he had no time to think.
"What the hell are you doing here? What are you doing to us, goddammit?"