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Chapters (110)
  1. Books by Terry Goodkind
  2. We Appreciate Your Support
  3. This is a work of fiction.
  4. Dedication
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Chapter 78
  83. Chapter 79
  84. Chapter 80
  85. Chapter 81
  86. Chapter 82
  87. Chapter 83
  88. Chapter 84
  89. Chapter 85
  90. Chapter 86
  91. Chapter 87
  92. Chapter 88
  93. Chapter 89
  94. Chapter 90
  95. Chapter 91
  96. Chapter 92
  97. Chapter 93
  98. Chapter 94
  99. Chapter 95
  100. Chapter 96
  101. Chapter 97
  102. Chapter 98
  103. Chapter 99
  104. Chapter 100
  105. Chapter 101
  106. Chapter 102
  107. Chapter 103
  108. Manifesto
  109. Supplemental Content
  110. Author Terry Goodkind

At intervals around the room, openings cut into the stone led off into darkness. Each looked like a cave. None of the nine passageways were trimmed or decorated, except for a symbol that had been carved into the stone above each opening.

Without delay, Tilly entered the ninth opening, a number that she knew from Baraccus had great meaning in things having to do with magic.

The walls of the passageway were the same roughly hewn stone as the chamber had been. Almost immediately, they started down yet more steps, except that these, rather than being built, were carved directly from the stone itself. The treads were rugged and uneven, so Magda had to be careful lest she fall.

It was another long descent down the twisting tunnel before the stone abruptly changed. As the tunnel leveled out, they found themselves within a vein of softer sandstone. Unlit corridors branched off in every direction but Tilly led them on through the largest, main hallway. Before long, rooms carved out of the sandstone began to appear on both sides.

Almost immediately, Magda began seeing the dead.

As they passed by room after room, their lantern light revealed niches carved right into the stone walls of the rooms. Each cavity looked to hold at least one body; most held more. Some of the hollowed-out chambers seemed to have entire families laid out beside one another.

Magda slowed to take a better look into a larger area off to the right. She saw that in places the resting chambers were half a dozen high, the uppermost niches reachable only with a ladder. Most of the bodies laid to rest in the honeycombs of cavities were wrapped in shrouds that were so old and dirty that they looked to have been carved out of the same tan sandstone as the rooms themselves. A number of the recesses held coffins, all of them stone, most with carved decorations, all of them layered in dust and partially encased within masses of cobwebs.

As they went on, they encountered rooms of niches that held massive numbers of bones. Each recess was filled to the top with neatly stacked bones, sorted by type, covered in dust. Several of the chambers held only skulls. Many of the resting places looked untouched for decades, if not centuries. Very few looked tended.

“These are the oldest tombs,” Tilly said. “As more space was needed, the oldest bones were brought together and stacked here to make room. As time went on, catacombs had to be extended deeper and deeper in order to make new places to bury the recently deceased. The excavation goes on to this day. Many of those living up above will one day end up down here.”

Above many of the hollowed-out resting places could still be seen a family name in faded paint, or a name and a title of the deceased. Some were decorated around the edges with crudely carved decorations, probably done by family members.