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Contents ( 34)
  1. Also by Robert Seethaler
  2. The Voices
  3. Hanna Heim
  4. Gerd Ingerland
  5. Sonja Mayers
  6. Father Hoberg
  7. Nabil al-­Bakri
  8. Herm Leydicke
  9. Lennie Martin
  10. Louise Trattner
  11. Gerda Baehr
  12. K. P. Lindow
  13. Stephanie Stanek
  14. Heiner Joseph Landmann
  15. Martha Avenieu
  16. Robert Avenieu
  17. Sophie Breyer
  18. Heribert Kraus
  19. Heide Friedland
  20. Franz Straubein
  21. Karl Jonas
  22. Susan Tessler
  23. Peter Lichtlein
  24. Annelie Lorbeer
  25. Hannes Dixon
  26. Martin Reynart
  27. Linda Aberius
  28. I
  29. II
  30. III
  31. Bernard Silbermann
  32. Kurt Kobielski
  33. Connie Busse
  34. Harry Stevens

A fourteen-­year-­old boy in short trousers decides to look behind the curtain. He wants to be a journalist or writer – as yet, he sees no difference – one of the really great ones, anyway, or at least like the editors of the broadsheet news­­-papers they put out in Lehmkuhl’s café, with articles attributed to initials like A.P. or K.T. or O.S. His chances are slim. Non-­existent, in fact. But he has all these questions in his head, and the stubbornness of an old mule.

I got involved with the publication of our school magazine. We produced one hundred and thirty copies of the first edition; five students toiled away with carbon paper, making several copies at once. I was responsible for the ‘Miscellaneous’ section, which I filled with reports about playground fights and the weekly canteen menu. I always had a little pencil stuck behind my ear, which gave me an exhilarating air of industriousness. When I walked across the school playground, the others would watch me with a mixture of curiosity and contempt. ‘Hey, Dixon, you sniffing around again?’ they would shout. It was undignified and exciting.

After I finished school, I went to the local library and presented myself to the librarian. I said that I wanted to start a newspaper, and asked whether there might be someone who could help me. Oddly enough, she didn’t laugh. She looked at me for a while, then said, ‘Come with me.’

She opened a little door behind the stacks of cookery books, and a few steps took us down into the vaulted cellar. A single lightbulb hung from the ceiling, and our shadows roamed across walls that looked as if they had been carved straight out of the rock. The floor was carpeted in a thick layer of dust. ‘There,’ said the librarian, pointing to a corner. Between the boiler and piles of tattered books stood a huge black machine. ‘Do you think you can do something with that?’

‘Yes,’ I said. ‘I think I can.’

The machine was a Koenig & Bauer roller press that had once been used to print the parish newsletters. It was over a hundred years old, encrusted with a combination of lubricating oil and dust, and it took me almost a year to get it working. When it finally started up, with a rather vulgar noise, and the first pages rattled out from beneath the roller, I cheered so loudly that my voice cracked and a fine rain of plaster trickled from the ceiling.

Two months later, one icy winter’s night just before my nineteenth birthday, I typeset the masthead of my new paper for the first time: Der Paulstädter Bote. Font: Walbaum Fraktur, bold, twenty-­four point, anno 1812. My cloudy breath in the light from the bulb seemed to me like the spirit of a new age.

I ran the newspaper for thirty-­nine years and took on a whole string of employees, people with enough enthusiasm, at least for a while, to believe in the power of the written word: pensioners, housewives, school dropouts, unskilled workers, mechanical engineers, unemployed teachers, slackers, blockheads, geniuses. They came and went. I stayed.