And so Drakon used the quiet and the silence to reflect on everything she’d said. She’d said quite a bit. Much of it uncomfortable, and some of it downright shocking, as well as infuriating.

She’d felt degraded in their marriage?

Absolute rubbish. And the fact that she’d dare say such a thing to his face after all these years made him want to throttle her, which seriously worried him.

He wasn’t a violent man. He didn’t lose his temper. Didn’t even recognize the marriage she described. He had loved her, and he’d spoiled her. Pampered her. Worshipped her body. How was that degrading?

And how dare she accuse him of being a bad husband? He’d given her everything, had done everything for her, determined to make her happy. Her feelings had been important to him. He’d been a respectful husband, a kind husband, having far too many memories of an unhappy childhood, a childhood filled with tense, angry people—namely his mother—to want his wife to be anything but satisfied and content.

His mother, Maria, wasn’t a bad woman, she was a good woman, a godly woman, and she tried to be fair, just, but that hadn’t made her affectionate. Or gentle.

Widowed at thirty-five when Drakon’s father died of a heart attack at sea, Maria had found raising five children on her own overwhelming. The Xanthis family was wealthy and she didn’t have to worry about money, but that didn’t seem to give her much relief, not when she was so angry that Drakon’s father, Sebastian, had died leaving her with all these children, children she wasn’t sure she’d ever wanted. One child might have been fine, but five was four too many.

Drakon, being the second eldest, and the oldest son, tried to be philosophical about her anger and resentment. She came from a wealthy family herself and had grown up comfortable. He told himself that her lack of affection and attention wasn’t personal, but rather a result of grief, and too many pregnancies too close together. And so he learned by watching her, that she was most comfortable around her children if they asked for nothing, revealed no emotion or expressed no need. Drakon internalized the lesson well, and by thirteen and fourteen, he became the perfect son, by having no needs, or emotions.

But that didn’t mean he didn’t enjoy pleasing others. Throughout his twenties he had taken tremendous pride in spoiling his girlfriends, beautiful glamorous women who enjoyed being pampered and showered with pretty gifts and extravagant nights out. The women in his life quickly came to understand that he didn’t show emotion and they didn’t expect him to. It wasn’t that he didn’t feel, but it wasn’t easy to feel. There were emotions in him somewhere, just not accessible. His girlfriends enjoyed his lifestyle, and his ability to please them, and they accepted him for who he was, and that he expressed himself best through action—doing or buying something for someone.

So he bought gifts and whisked his love interests to romantic getaways. And he became a skilled lover, a patient and gifted lover who understood the importance of foreplay.