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Chapters (20)
  1. THE WIND-UP BIRD AND TUESDAY’S WOMEN
  2. THE SECOND BAKERY ATTACK
  3. THE KANGAROO COMMUNIQUÉ
  4. ON SEEING THE 100% PERFECT GIRL ONE BEAUTIFUL APRIL MORNING
  5. SLEEP
  6. THE FALL OF THE ROMAN EMPIRE , THE 1881 INDIAN UPRISING, HITLER’S INVASION OF POLAND, AND THE REALM OF RAGING WINDS
  7. LEDERHOSEN
  8. BARN BURNING
  9. THE LITTLE GREEN MONSTER
  10. FAMILY AFFAIR
  11. A WINDOW
  12. TV PEOPLE
  13. A SLOW BOAT TO CHINA
  14. THE DANCING DWARF
  15. THE LAST LAWN OF THE AFTERNOON
  16. THE SILENCE
  17. THE ELEPHANT VANISHES
  18. ABOUT THE AUTHOR
  19. OTHER BOOKS BY THIS AUTHOR
  20. ALSO BY HARUKI MURAKAMI

I slip in behind the steering wheel, turn the key, and listen to the engine hum. It sounds normal. Hands on the wheel, I take a few deep breaths. Then I shift into gear and drive out of the building. The car is running better than usual. It seems to be gliding across a sheet of ice. I ease it into higher gear, move out of the neighborhood, and enter the highway to Yokohama.

It’s only three in the morning, but the number of cars on the road is by no means small. Huge semis roll past, shaking the ground as they head east. Those guys don’t sleep at night. They sleep in the daytime and work at night for greater efficiency.

What a waste. I could work day and night. I don’t have to sleep.

This is biologically unnatural, I suppose, but who really knows what is natural? They just infer it inductively. I’m beyond that. A priori. An evolutionary leap. A woman who never sleeps. An expansion of consciousness.

I have to smile. A priori. An evolutionary leap.

Listening to the car radio, I drive to the harbor. I want classical music, but I can’t find a station that broadcasts it at night. Stupid Japanese rock music. Love songs sweet enough to rot your teeth. I give up searching and listen to those. They make me feel I’m in a far-off place, far away from Mozart and Haydn.

I pull into one of the white-outlined spaces in the big parking lot at the waterfront park and cut my engine. This is the brightest area of the lot, under a lamp, and wide open all around. Only one car is parked here—an old white two-door coupe of the kind that young people like to drive. Probably a couple in there now, making love—no money for a hotel room. To avoid trouble, I pull my hat low, trying not to look like a woman. I check to see that my doors are locked.

Half-consciously, I let my eyes wander through the surrounding darkness, when all of a sudden I remember a drive I took with my boyfriend the year I was a college freshman. We parked and got into some heavy petting. He couldn’t stop, he said, and he begged me to let him put it in. But I refused. Hands on the steering wheel, listening to the music, I try to bring back the scene, but I can’t recall his face. It seems to have happened such an incredibly long time ago.