Back The Dragon Lady
Chapters (57)
  1. Cover
  2. Half-Title
  3. Dedication
  4. Series
  5. Title
  6. Part One
  7. 1 Catherine, 1990s
  8. 2 Ginie, Rhodesia, 1950s
  9. 3 Catherine, Rhodesia, 1950s
  10. 4 Stephen, Rhodesia, 1950s
  11. 5 Catherine, Rhodesia, 1950s
  12. 6 Stephen, Rhodesia, 1950s
  13. Part Two
  14. 7 The Courtaulds, Courmayeur, 1919
  15. 8 Ginie, London, 1920s
  16. 9 Ginie, London, 1920s
  17. 10 Ginie, Italy, 1910s
  18. 11 The Courtaulds, London, 1920s
  19. Part Three
  20. 12 Stephen, Rhodesia, 1950s
  21. 13 Ginie, Rhodesia, 1950s
  22. 14 Catherine, Rhodesia, 1950s
  23. 15 The Courtaulds, Rhodesia, 1950s
  24. 16 Catherine, Rhodesia, 1950s
  25. 17 Ginie, Rhodesia, 1950s
  26. 18 Catherine, Rhodesia, 1950s
  27. 19 Ginie, Rhodesia, 1950s
  28. Part Four
  29. 20 The Courtaulds, London, 1930s
  30. 21 The Courtaulds, Eltham, 1930s
  31. 22 The Courtaulds, Eltham, 1940s
  32. 23 Ginie, Scotland, 1940s
  33. Part Five
  34. 24 The Courtaulds, Rhodesia, 1950s
  35. 25 Ginie, Rhodesia, 1950s
  36. 26 Catherine, Rhodesia, 1950s
  37. 27 The Courtaulds, Rhodesia, 1950s
  38. 28 Catherine, Rhodesia, 1950s
  39. 29 The Courtaulds, Rhodesia, 1950s
  40. 30 Ginie, Rhodesia, 1950s
  41. 31 The Courtaulds, Rhodesia, 1950s
  42. 32 The Courtaulds, Rhodesia, 1950s
  43. 33 Ginie, Rhodesia, 1950s
  44. 34 Catherine, Rhodesia, 1950s
  45. 35 Ginie, Rhodesia, 1950s
  46. 36 Stephen, Rhodesia, 1950s
  47. 37 Ginie, Rhodesia, 1950s
  48. 38 Catherine, Rhodesia, 1950s
  49. 39 Ginie, Rhodesia, 1950s
  50. 40 The Courtaulds, Rhodesia, 1950s
  51. 41 Catherine, Rhodesia, 1950s
  52. 42 Catherine, Rhodesia, 1950s
  53. 43 The Courtaulds, Rhodesia, 1950s
  54. Epilogue: Catherine, England, 1990s
  55. Author’s Note
  56. Acknowledgements
  57. A Note on the Author

‘Oh, yes,’ said Lil, ‘It’s the craftsman’s delight in lovely work.’

Ginie turned to Sam, ‘I’m familiar with Stephen’s taste, but I’d love to know more about yours. I’m wondering, what makes you decide to buy a painting?’

‘He loves the colours,’ Lil dropped in. ‘He collects like a missionary saves souls – with fervour and concentration.’

‘Lil’s right, in a way,’ Sam gave a self-deprecating shrug, ‘I often can’t really say why I buy a painting – it’s an instinctive thing. My gut reaction is always the deciding factor. If it doesn’t make me tingle, it’s no good.’

Sam sipped at his champagne and Stephen saw he was in a genial, relaxed mood. Sam was Chairman of Courtaulds, and he had the reputation of being an aggressive boss – pedantic and hard on his staff. Though you would never know it looking at him now, with his family and his beloved art collection.

‘I don’t always get it right, mind you,’ he went on.

‘Oh, no?’

‘Yes. My biggest mistake was buying a particularly crude Seurat forgery of a female nude.’

‘I guess she made you tingle,’ Ginie replied, prompting a laugh from everyone but Lil. Ginie was having no problem winning Sam over. It was never the men who were the problem, Stephen thought, ruefully. Though he could sense how curious the couple were about Ginie. While one was talking, the other gave sidelong glances. Beneath the polite surface of conversation, unspoken questions gathered.

They were stood in front of Gaugin’s Nevermore.

‘This one is a masterpiece,’ said Sam, ‘of course the price was absurd, but I expect it will seem small in twenty years’ time, should the art market continue to grow as it is growing now.’

Ginie said, ‘I love how Gaugin sailed off to Tahiti thinking he’d find an untouched paradise and people living simple, natural lives, without the corrupting ideas of modern society. And then, when he got there, he found it all far more developed than he’d thought, and full of tourists. But he decided to paint it as he’d imagined it anyway.’

‘Utopia is never what you think it’s going to be, isn’t that the point?’ said Lil, in a tone that closed the subject.

In the pause that followed, Stephen could feel the panic begin to creep back into his chest. He was in his trench, shivering, the smell of rats, wet straw and faeces in his nostrils. In the darkness, he could hear a young lad wailing and praying for death. Worse than the physical discomfort, worse even than the suffering he had witnessed, was the change in himself. He was hardened, ready and willing to carry out acts he had once condemned. If Ginie knew what he’d done in the name of King and country, she wouldn’t look at him with that soft light in her eyes ever again.