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Chapters (57)
  1. Cover
  2. Half-Title
  3. Dedication
  4. Series
  5. Title
  6. Part One
  7. 1 Catherine, 1990s
  8. 2 Ginie, Rhodesia, 1950s
  9. 3 Catherine, Rhodesia, 1950s
  10. 4 Stephen, Rhodesia, 1950s
  11. 5 Catherine, Rhodesia, 1950s
  12. 6 Stephen, Rhodesia, 1950s
  13. Part Two
  14. 7 The Courtaulds, Courmayeur, 1919
  15. 8 Ginie, London, 1920s
  16. 9 Ginie, London, 1920s
  17. 10 Ginie, Italy, 1910s
  18. 11 The Courtaulds, London, 1920s
  19. Part Three
  20. 12 Stephen, Rhodesia, 1950s
  21. 13 Ginie, Rhodesia, 1950s
  22. 14 Catherine, Rhodesia, 1950s
  23. 15 The Courtaulds, Rhodesia, 1950s
  24. 16 Catherine, Rhodesia, 1950s
  25. 17 Ginie, Rhodesia, 1950s
  26. 18 Catherine, Rhodesia, 1950s
  27. 19 Ginie, Rhodesia, 1950s
  28. Part Four
  29. 20 The Courtaulds, London, 1930s
  30. 21 The Courtaulds, Eltham, 1930s
  31. 22 The Courtaulds, Eltham, 1940s
  32. 23 Ginie, Scotland, 1940s
  33. Part Five
  34. 24 The Courtaulds, Rhodesia, 1950s
  35. 25 Ginie, Rhodesia, 1950s
  36. 26 Catherine, Rhodesia, 1950s
  37. 27 The Courtaulds, Rhodesia, 1950s
  38. 28 Catherine, Rhodesia, 1950s
  39. 29 The Courtaulds, Rhodesia, 1950s
  40. 30 Ginie, Rhodesia, 1950s
  41. 31 The Courtaulds, Rhodesia, 1950s
  42. 32 The Courtaulds, Rhodesia, 1950s
  43. 33 Ginie, Rhodesia, 1950s
  44. 34 Catherine, Rhodesia, 1950s
  45. 35 Ginie, Rhodesia, 1950s
  46. 36 Stephen, Rhodesia, 1950s
  47. 37 Ginie, Rhodesia, 1950s
  48. 38 Catherine, Rhodesia, 1950s
  49. 39 Ginie, Rhodesia, 1950s
  50. 40 The Courtaulds, Rhodesia, 1950s
  51. 41 Catherine, Rhodesia, 1950s
  52. 42 Catherine, Rhodesia, 1950s
  53. 43 The Courtaulds, Rhodesia, 1950s
  54. Epilogue: Catherine, England, 1990s
  55. Author’s Note
  56. Acknowledgements
  57. A Note on the Author

‘It might be better if you gave Ginie less freedom.’ Solferina spoke softly, but with steel in her voice. Rosa’s eyes opened wide.

‘What do you mean?’

Solferina covered her eyes with her right hand. Then she said that she had seen Ginie and Paulo embracing at the bottom of the garden, by the statue of Ugo’s grandfather.

‘It’s a less secluded spot than you think,’ she added, with a slight shudder.

Ginie’s cheeks burned with humiliation. Revulsion, too, that this haughty, dried-out woman had witnessed their intimacy. Riccardo broke the silence.

‘I’m happy Ginie has found love with a fine young man. Quite frankly, I don’t see the harm in letting them express it.’

Solferina’s eyes went glassy with distaste. The candles burned low, casting leaping shadows on the faces around the table.

Ugo and Solferina made no secret of the fact that they would have preferred Paulo to marry a girl from his own class, but they were also pragmatic enough to recognise that they no longer had sufficient funds to maintain their lifestyle. An ancient title with no money meant nothing. They made the best of the situation, agreeing to the marriage, but ensuring that they had as little contact with Ginie and her family as possible.

While Ginie waited for a chance to rectify the poor first impression she had made, Paulo gave gentle advice about how to please his parents.

‘Now, my love, never raise your voice above a murmur. Don’t wave your hands around so much when you talk, admire beauty – but with restraint. You can be lively and outspoken, but only with me.’ He punctuated the end of each phrase with a kiss.

‘Don’t worry, it’s only until the wedding, then we can do as we please.’ He kissed her deeply, running his fingertips lightly up and down the back of her neck until they were both tingling and breathless.

The marriage negotiations and all arrangements for the church service and reception took place between Riccardo and the manager of Villa Spinola, Signor Malerba, a slight, balding man with pale grey eyes behind wire-framed glasses. Through Malerba, the Spinolas stipulated a small wedding and a large dowry. The dowry was far in excess of what Riccardo had expected to pay, but he put a good face on it, declaring ‘No price is too high for my sweet girl.’

Whenever the Peiranos ran into the Spinolas, the coolness with which they were treated showed exactly what the Spinolas thought of them – a family in commerce who flaunted their wealth. A new-money man and a Romanian woman of obscure origin who hadn’t bothered to marry until after their children were born, and a daughter utterly lacking modesty or decorum.

9 Ginie, London, 1920s

9

Ginie, London, 1920s