Back The Dragon Lady
Chapters (57)
  1. Cover
  2. Half-Title
  3. Dedication
  4. Series
  5. Title
  6. Part One
  7. 1 Catherine, 1990s
  8. 2 Ginie, Rhodesia, 1950s
  9. 3 Catherine, Rhodesia, 1950s
  10. 4 Stephen, Rhodesia, 1950s
  11. 5 Catherine, Rhodesia, 1950s
  12. 6 Stephen, Rhodesia, 1950s
  13. Part Two
  14. 7 The Courtaulds, Courmayeur, 1919
  15. 8 Ginie, London, 1920s
  16. 9 Ginie, London, 1920s
  17. 10 Ginie, Italy, 1910s
  18. 11 The Courtaulds, London, 1920s
  19. Part Three
  20. 12 Stephen, Rhodesia, 1950s
  21. 13 Ginie, Rhodesia, 1950s
  22. 14 Catherine, Rhodesia, 1950s
  23. 15 The Courtaulds, Rhodesia, 1950s
  24. 16 Catherine, Rhodesia, 1950s
  25. 17 Ginie, Rhodesia, 1950s
  26. 18 Catherine, Rhodesia, 1950s
  27. 19 Ginie, Rhodesia, 1950s
  28. Part Four
  29. 20 The Courtaulds, London, 1930s
  30. 21 The Courtaulds, Eltham, 1930s
  31. 22 The Courtaulds, Eltham, 1940s
  32. 23 Ginie, Scotland, 1940s
  33. Part Five
  34. 24 The Courtaulds, Rhodesia, 1950s
  35. 25 Ginie, Rhodesia, 1950s
  36. 26 Catherine, Rhodesia, 1950s
  37. 27 The Courtaulds, Rhodesia, 1950s
  38. 28 Catherine, Rhodesia, 1950s
  39. 29 The Courtaulds, Rhodesia, 1950s
  40. 30 Ginie, Rhodesia, 1950s
  41. 31 The Courtaulds, Rhodesia, 1950s
  42. 32 The Courtaulds, Rhodesia, 1950s
  43. 33 Ginie, Rhodesia, 1950s
  44. 34 Catherine, Rhodesia, 1950s
  45. 35 Ginie, Rhodesia, 1950s
  46. 36 Stephen, Rhodesia, 1950s
  47. 37 Ginie, Rhodesia, 1950s
  48. 38 Catherine, Rhodesia, 1950s
  49. 39 Ginie, Rhodesia, 1950s
  50. 40 The Courtaulds, Rhodesia, 1950s
  51. 41 Catherine, Rhodesia, 1950s
  52. 42 Catherine, Rhodesia, 1950s
  53. 43 The Courtaulds, Rhodesia, 1950s
  54. Epilogue: Catherine, England, 1990s
  55. Author’s Note
  56. Acknowledgements
  57. A Note on the Author

In the end, it was Stephen’s love of the arts that gave Ginie a social entrée of sorts. He was passionate about classical music, it was a passion combined with an impressive intellectual understanding. The difficult late Beethoven string quartets were his particular favourites. He collected composers’ autographs and had managed to hunt down both Mozart and Beethoven. Ginie didn’t share Stephen’s appreciation for serious music, but she liked new composers that broke the mould. She favoured contemporary artists and writers for the same reason – she was mad about all things new. Stephen and his brother, Sam, had just given a sizeable donation to Covent Garden opera and Ginie invited people who were involved in the arts to Grosvenor Square, particularly those just starting out.

One evening, Stravinsky came. It was something of a coup to get him to accept an invitation; Ginie was thrilled and nervous. She couldn’t wait to write to her mother about it. The dinner would be her return to the high society that was rightfully hers.

The weather the night of the dinner was terrible as a dense fog descended on London. It seeped into the house, under the doors and though the cracks in the window-frames, slowly filling the spaces between the furniture with a deep chill.

Ginie was ready an hour before the guests were due to arrive. She lay on a chaise-longue by the window with Caesar curled at her feet, her head wreathed in cigarette smoke. A magnificent star ruby, a gift from Stephen, glowed on her finger, the snake tattoo peeping out from beneath the hem of her silver lamé shift. She was watching the mist twine around the houses. The butler, Westaby, came in, soft-footed as ever. Ginie sat up. Caesar pricked his ears as she laid a hand on his head.

‘I’m sorry to disturb you, Madam,’ Westaby cleared his throat. ‘I just received telephone calls from Mrs Bedford and Mrs Alexander. They can’t get here because of the bad weather. They were most apologetic. . . We’ve taken away their places at table.’

Ginie thanked him and clenched her fists, inadvertently squeezing one of Caesar’s ears so hard that he yelped. The Alexanders and the Bedfords were her best guests. Without them the evening would lose its lustre and Stravinsky would be bored. She stroked Caesar’s head in apology, wondering if the fog was just an excuse and she was being snubbed again.

The bell rang and she hurried downstairs. Westaby opened the front door and Stravinsky walked in, the heavy fog in the street pouring around him, like water through a cracked vessel.

‘Good evening, Maestro,’ Ginie greeted him, holding out both hands. The star ruby glittered in the light. ‘Terrible weather, isn’t it? We are so honoured you came.’

Stravinsky was peeling off his gloves and cape and gave them to Westaby. He took Ginie’s right hand and kissed it, his moustache tickling her skin.