Back The Dragon Lady
Chapters (57)
  1. Cover
  2. Half-Title
  3. Dedication
  4. Series
  5. Title
  6. Part One
  7. 1 Catherine, 1990s
  8. 2 Ginie, Rhodesia, 1950s
  9. 3 Catherine, Rhodesia, 1950s
  10. 4 Stephen, Rhodesia, 1950s
  11. 5 Catherine, Rhodesia, 1950s
  12. 6 Stephen, Rhodesia, 1950s
  13. Part Two
  14. 7 The Courtaulds, Courmayeur, 1919
  15. 8 Ginie, London, 1920s
  16. 9 Ginie, London, 1920s
  17. 10 Ginie, Italy, 1910s
  18. 11 The Courtaulds, London, 1920s
  19. Part Three
  20. 12 Stephen, Rhodesia, 1950s
  21. 13 Ginie, Rhodesia, 1950s
  22. 14 Catherine, Rhodesia, 1950s
  23. 15 The Courtaulds, Rhodesia, 1950s
  24. 16 Catherine, Rhodesia, 1950s
  25. 17 Ginie, Rhodesia, 1950s
  26. 18 Catherine, Rhodesia, 1950s
  27. 19 Ginie, Rhodesia, 1950s
  28. Part Four
  29. 20 The Courtaulds, London, 1930s
  30. 21 The Courtaulds, Eltham, 1930s
  31. 22 The Courtaulds, Eltham, 1940s
  32. 23 Ginie, Scotland, 1940s
  33. Part Five
  34. 24 The Courtaulds, Rhodesia, 1950s
  35. 25 Ginie, Rhodesia, 1950s
  36. 26 Catherine, Rhodesia, 1950s
  37. 27 The Courtaulds, Rhodesia, 1950s
  38. 28 Catherine, Rhodesia, 1950s
  39. 29 The Courtaulds, Rhodesia, 1950s
  40. 30 Ginie, Rhodesia, 1950s
  41. 31 The Courtaulds, Rhodesia, 1950s
  42. 32 The Courtaulds, Rhodesia, 1950s
  43. 33 Ginie, Rhodesia, 1950s
  44. 34 Catherine, Rhodesia, 1950s
  45. 35 Ginie, Rhodesia, 1950s
  46. 36 Stephen, Rhodesia, 1950s
  47. 37 Ginie, Rhodesia, 1950s
  48. 38 Catherine, Rhodesia, 1950s
  49. 39 Ginie, Rhodesia, 1950s
  50. 40 The Courtaulds, Rhodesia, 1950s
  51. 41 Catherine, Rhodesia, 1950s
  52. 42 Catherine, Rhodesia, 1950s
  53. 43 The Courtaulds, Rhodesia, 1950s
  54. Epilogue: Catherine, England, 1990s
  55. Author’s Note
  56. Acknowledgements
  57. A Note on the Author

Both men had been closely involved with the design of the building and were delighted with the result; a large, open, modern space which made use of natural light and could be divided into smaller areas through the use of temporary partitions. On entering, one looked across a grassed patio and columns, straight through to the city park with its rolling lawns and graceful, stately trees. Leonora Barta, the artist who had made the mosaic for the courtyard of La Rochelle, was working on a similarly arresting design for the Gallery’s exterior – all whirling geometric shapes and bold colours. It would be finished just in time for the opening, which promised to be a grand affair. The Queen Mother was going to perform the ceremony during a planned two-week visit to the Federation.

Stephen had also seen the studio of the African artists, now called the Workshop School. Painting and drawing had been superseded by sculpture and the studio was operating unofficially in the Gallery’s basement. Frank had made this work by hiring one of the artists, Thomas Mukarobgwa, as a cleaner; a necessary action under the current regime.

Stephen was shown around by another artist, Bernard Matemera, a humble, humorous and patient soul. They looked at animals, people, spirits and creatures from dreams. The works were crafted from local stone such as soapstone, serpentinite and verdite, which were full of colour and texture. Each piece had vital living truthfulness.

Matemera explained that the untrained carvers worked in the same way as Picasso, sometimes spending many days ‘dreaming’ a sculpture complete to the last detail, then executing it at speed. He told Stephen that the Shona people believed every rock contained a spirit essence that influenced how the stone would be shaped and carved.

‘The spirits are everywhere in the air and in the rocks,’ he said in his deep, slow voice. ‘A rock is like a fruit – like an orange or a banana. You don’t eat them without peeling them first. It needs to be opened to be eaten. I open the rocks. The work is inside.’

It had been a tremendous day, made even better by the long-awaited arrival of the rains. Stephen had been elated until he got home and saw the Umtali Post:

NIGHT OF VIOLENCE

Police vehicles and buildings were stoned, and several people were injured on Monday night in Sakubva Township, where Mr Joshua Nkomo, leader of the African National Congress, addressed a meeting in the Methodist Church Hall. Twelve arrests were made during a three-hour riot.

A police spokesman said that Mr Nkomo arrived late on Monday afternoon and went to the Church Hall. A crowd of between 800 and 1,000 people gathered. Certain elements of the crowd, believed to be supporters of rival nationalist Ndabaningi Sithole, heckled Mr Nkomo and intimidated his followers. Later, small gangs broke away from the main crowd and some indiscriminate stoning of police vehicles was reported.