Back The Dragon Lady
Chapters (57)
  1. Cover
  2. Half-Title
  3. Dedication
  4. Series
  5. Title
  6. Part One
  7. 1 Catherine, 1990s
  8. 2 Ginie, Rhodesia, 1950s
  9. 3 Catherine, Rhodesia, 1950s
  10. 4 Stephen, Rhodesia, 1950s
  11. 5 Catherine, Rhodesia, 1950s
  12. 6 Stephen, Rhodesia, 1950s
  13. Part Two
  14. 7 The Courtaulds, Courmayeur, 1919
  15. 8 Ginie, London, 1920s
  16. 9 Ginie, London, 1920s
  17. 10 Ginie, Italy, 1910s
  18. 11 The Courtaulds, London, 1920s
  19. Part Three
  20. 12 Stephen, Rhodesia, 1950s
  21. 13 Ginie, Rhodesia, 1950s
  22. 14 Catherine, Rhodesia, 1950s
  23. 15 The Courtaulds, Rhodesia, 1950s
  24. 16 Catherine, Rhodesia, 1950s
  25. 17 Ginie, Rhodesia, 1950s
  26. 18 Catherine, Rhodesia, 1950s
  27. 19 Ginie, Rhodesia, 1950s
  28. Part Four
  29. 20 The Courtaulds, London, 1930s
  30. 21 The Courtaulds, Eltham, 1930s
  31. 22 The Courtaulds, Eltham, 1940s
  32. 23 Ginie, Scotland, 1940s
  33. Part Five
  34. 24 The Courtaulds, Rhodesia, 1950s
  35. 25 Ginie, Rhodesia, 1950s
  36. 26 Catherine, Rhodesia, 1950s
  37. 27 The Courtaulds, Rhodesia, 1950s
  38. 28 Catherine, Rhodesia, 1950s
  39. 29 The Courtaulds, Rhodesia, 1950s
  40. 30 Ginie, Rhodesia, 1950s
  41. 31 The Courtaulds, Rhodesia, 1950s
  42. 32 The Courtaulds, Rhodesia, 1950s
  43. 33 Ginie, Rhodesia, 1950s
  44. 34 Catherine, Rhodesia, 1950s
  45. 35 Ginie, Rhodesia, 1950s
  46. 36 Stephen, Rhodesia, 1950s
  47. 37 Ginie, Rhodesia, 1950s
  48. 38 Catherine, Rhodesia, 1950s
  49. 39 Ginie, Rhodesia, 1950s
  50. 40 The Courtaulds, Rhodesia, 1950s
  51. 41 Catherine, Rhodesia, 1950s
  52. 42 Catherine, Rhodesia, 1950s
  53. 43 The Courtaulds, Rhodesia, 1950s
  54. Epilogue: Catherine, England, 1990s
  55. Author’s Note
  56. Acknowledgements
  57. A Note on the Author

‘I’m sure of it,’ he replied, squeezing her hand. ‘We haven’t had one since Jongy died.’

Perhaps now that Eric had been held accountable, he would accept that he had to give up his vendetta. Weeks and months passed without incident and it appeared as though the danger was over. It had to be over. Guthrie went to England to visit his sister, who had just been diagnosed with cancer. He didn’t know how long he would be gone and the Courtaulds missed him dearly, for they had come to rely on his kindness and common sense.

They threw themselves into new building projects. First, they commissioned a memorial to Jongy and placed it over his grave in the garden. It was designed by Gilbert Ledward: a larger than life-sized sculpture of the lemur sitting with his tail curled up. An inscription read:

Much loved member of our family for nineteen years.

Companion in our travels over many lands and seas.

Ginie planted a rosebush beside Jessica’s grave. She was still sceptical about Jessica’s ghost, but it was a nice thing to do and she hoped it might dispel the sadness she felt whenever she was near the gravestone.

In the staff compound, they built new houses, installing electricity for the first time. The home crafts club was flourishing and had expanded to include not only the women from La Rochelle, but also those who lived outside the estate. They were running their own affairs and selling the clothes and blankets they made to a couple of shops in Umtali. Near the home crafts building they made a sports ground, with a full size football pitch and a pavilion that had a veranda, dressing-rooms and showers. A men’s football club was founded and named the Shumba Sports Club. Membership was open to all male employees and the club included workers from neighbouring farms and properties. Competing teams in the valley impatiently awaited their first trials.

Ginie and Stephen were especially proud of their school, which took place in the mornings in the home crafts hall. There were fifty-two pupils in total, their ages ranging from six to eleven. They were taught by Mary. Her salary, as well as all stationery, textbooks and other equipment, were paid for by the Courtaulds. They also had a small pavilion built for Ginie’s private use.

Cedric Green, an architect and artist who lived in Umtali, was chosen to design it. A short, neat-looking man, with tawny hair and beard, a hooked nose and keen brown eyes behind half-moon spectacles. He reminded Ginie of a bird of prey. He’d studied under the Portuguese architect, Pancho Guedes, and was deeply influenced by him. His work had a sculptural, innovative character, which the Courtaulds were drawn to, so they gave him free reign. The construction of the pavilion was mostly done by John Mutasa, the estate handyman.