The Dolphin House
Contents (45)
- ALSO BY AUDREY SCHULMAN
- THE DOLPHIN HOUSE
- ONE Tampa, Florida Feb. 1965
- TWO Aug. 1957 Ogunquit, Maine
- THREE May 1965
- FOUR March 1958 Orlando, Florida
- ARRIVAL
- FIVE June 4, 1965
- SIX June 4, 1965
- SEVEN June 5, 1965
- EIGHT June 6–10, 1965
- NINE June 11–16, 1965
- TEN June 17–26, 1965
- ELEVEN June 27–30, 1965
- TWELVE July 1–8, 1965
- THIRTEEN July 9–13, 1965
- FOURTEEN July 14, 1965
- LANGUAGE LESSONS
- FIFTEEN July 15–17, 1965
- SIXTEEN
- SEVENTEEN July 18–25, 1965
- EIGHTEEN July 26–Aug. 1, 1965
- NINETEEN Aug. 2–7, 1965
- TWENTY Aug. 8–15, 1965
- TWENTY-ONE Aug. 16, 1965
- TWENTY-TWO Aug. 17–30, 1965
- HOMEARIUM
- TWENTY-THREE Homearium, Day 1
- TWENTY-FOUR Homearium, Day 3
- TWENTY-FIVE Homearium, Days 4–7
- TWENTY-SIX Homearium, Week 2
- TWENTY-SEVEN Homearium, Week 3
- TWENTY-EIGHT Homearium, Week 4
- TWENTY-NINE Homearium, Week 5
- THIRTY Homearium, Weeks 6–8
- THIRTY-ONE Homearium, Weeks 9–11
- THIRTY-TWO Homearium, Week 12
- THIRTY-THREE Homearium, Week 13
- THIRTY-FOUR Homearium, Week 14
- THIRTY-FIVE Homearium, Week 15
- THIRTY-SIX Homearium, Week 16
- THIRTY-SEVEN Homearium, Week 18
- THIRTY-EIGHT
- AUTHOR’S NOTE
- ABOUT THE AUTHOR

ALSO BY
AUDREY SCHULMAN
Theory of Bastards
Three Weeks in December
Swimming with Jonah
A House Named Brazil
The Cage
Europa Editions
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This book is a work of fiction. Any references to historical events, real people, or real locales are used fictitiously.
Copyright © 2022 by Audrey Schulman
First publication 2022 by Europa Editions
All rights reserved, including the right of reproduction in whole or in part in any form.
Cover Art by Emanuele Ragnisco
instagram.com/emanueleragnisco
Cover design by Ginevra Rapisardi
Cover illustration © Xuan Loc Xuan
Gray letters throughout the text are intentional.
ISBN 9781609457464
Audrey Schulman
THE DOLPHIN
HOUSE

THE DOLPHIN
HOUSE
This is a work of fiction based on an experiment that happened in the summer of 1965 at a research facility in St. Thomas.
Although some of the events occurred, the characters are the product of my imagination and not based on real people, living or dead.
ONE
Tampa, Florida
Feb. 1965
At the age of 21, Cora got a job as a waitress in a club in Tampa.
It seemed right that the costume was difficult to pull on. She had to wiggle in and tug it on, then lie down to zip it up. The management required all the suits be cut one size too small. The outfit had ribs that pressed tight against her skin and pushed her breasts up. The result transformed her. Standing up, she was sleek and curved, had a rabbit’s ears and a tail. She did not recognize herself in the mirror.
The things the men said, the things they did, she tried to consider as intended for the rabbit.
The work shifts were long. She developed welts along her sides from the costume’s ribs. Her arms, strong from mucking out her dad’s pigs, trembled by the end of the night from carrying the trays of drinks and dishes.
One plus was, in this echoing hard-surfaced club with the loud music, everyone was partly deaf and had ringing in their ears. Here, she had the advantage of knowing how to lipread. And, since her shift didn’t start until five in the afternoon, she had the whole day to be outside.
She worked here for three months. Rented a room nearby and bit by bit finished paying off her new hearing aids, the ones that masqueraded as cat-eye glasses, no bulky transistor hidden in her clothing. Instead, everything was built into the thick arms of the glasses, a miracle of miniaturization. She was so grateful. Wearing these eyeglasses outside, under the right circumstances, she heard things she hadn’t heard since she was eight. Paper crinkling, a bird chirping, her own gut rumbling. The first time she heard a child laughing, she jerked around from surprise. The toddler, some blond tourist kid, walked by, staring.
Of course, she didn’t wear the glasses in the club. Management didn’t allow that.