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Chapters (42)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. Glendale, California
  6. New York City
  7. New York City
  8. Hollywood, California
  9. Beverly Hills, California
  10. Beverly Hills, California
  11. Las Vegas, Nevada
  12. Las Vegas, Nevada
  13. Los Angeles, California
  14. Rancho Mirage, California
  15. Rancho Mirage, California
  16. Los Angeles, California
  17. Beverly Hills, California
  18. Los Angeles, California
  19. Franklin Canyon, California
  20. New York City
  21. New York City
  22. Los Angeles, California
  23. Anaheim, California
  24. Los Angeles, California
  25. Anaheim, California
  26. Anaheim, California
  27. Santa Monica, California
  28. Santa Monica, California
  29. Santa Monica, California
  30. Santa Monica, California
  31. Santa Monica, California
  32. Santa Monica, California
  33. Santa Monica, California
  34. Los Angeles, California
  35. Los Angeles, California
  36. Rancho Mirage, California
  37. New York City
  38. Discover More
  39. Sources and Acknowledgments
  40. About the Author
  41. Praise for Jake Tapper’sThe Devil May Dance
  42. Also by Jake Tapper

Sinatra, Judy, and two of the new arrivals—one had an impressive and loud Texas twang, the other had a delightful explosion of freckles that reminded Charlie of a Jackson Pollock—took their drinks to lounge chairs. On her way to the chairs, Lola stopped at Sinatra’s impressive outdoor hi-fi and turned on the radio; “Runaround Sue” began blasting, and some of the young women started dancing. Charlie looked at their host; he seemed okay with Dion, but soon enough the song ended and another one began, and before Elvis Presley could even utter the words When we kiss, my heart’s on fire from his hot single “Surrender,” Sinatra’s placid smile melted into a look of disgust and he threw his drink at the nearest speaker.

“Turn off that goddamn mumble monkey!” he yelled, and Jacobs quickly restored order to the universe by putting his boss’s Swing Along with Me on the turntable. “Don’t Cry, Joe (Let Her Go, Let Her Go, Let Her Go)” began playing.

But Texas Twang and Freckles couldn’t figure out how to dance to it after the much faster song that had preceded it. Even this new “swingier” version of Sinatra’s 1949 recording felt old. Charlie caught one of the young women rolling her eyes at her friend.

“Put on the covers, George,” Sinatra ordered.

Jacobs brought out an LP and soon they were all listening to Sinatra singing Carl Perkins’s “Blue Suede Shoes.”

“Just a lark,” Sinatra explained. “Made an album of rock covers for my daughters. Maybe we’ll release it sometime.” Everyone smiled at the privilege of being let in on the secret while dancing to Sinatra singing Richard’s “Tutti Frutti,” then his take on Gene Vincent’s “Be-Bop-a-Lula,” followed by his version of “Tequila” by the Champs.

“Fantastic,” Charlie called out to Sinatra. He was half sincere, half ass-kissing, and worried for a second that he had gone too far. But Sinatra raised a glass in return and Charlie exhaled.

As the sun began to sink behind the mountains, taking its comfortable warmth along with it, Sinatra and his guests kept themselves warm with the help of Jacobs’s endless supply of cocktails: screwdrivers and mai tais, then the spiciest margarita Charlie had ever had, then a surprisingly strong Pimm’s cup—a purposeful nod by Jacobs to Lawford’s British roots. Before long, most of the others were dancing while Charlie lingered in the hot tub, pruning like an octogenarian, and Sinatra sat at the Jacuzzi’s edge, feet submerged.

“The place looks great,” Charlie said to his host. “You’re ready for JFK’s visit.”

“You know, Congressman, I don’t even know for sure that TP is going to stay here,” Sinatra said. “I haven’t gotten a straight answer or even a call back from anyone real since the Ambassador had his stroke.”

“What does Lawford say?” Charlie said.