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Chapters (42)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. Glendale, California
  6. New York City
  7. New York City
  8. Hollywood, California
  9. Beverly Hills, California
  10. Beverly Hills, California
  11. Las Vegas, Nevada
  12. Las Vegas, Nevada
  13. Los Angeles, California
  14. Rancho Mirage, California
  15. Rancho Mirage, California
  16. Los Angeles, California
  17. Beverly Hills, California
  18. Los Angeles, California
  19. Franklin Canyon, California
  20. New York City
  21. New York City
  22. Los Angeles, California
  23. Anaheim, California
  24. Los Angeles, California
  25. Anaheim, California
  26. Anaheim, California
  27. Santa Monica, California
  28. Santa Monica, California
  29. Santa Monica, California
  30. Santa Monica, California
  31. Santa Monica, California
  32. Santa Monica, California
  33. Santa Monica, California
  34. Los Angeles, California
  35. Los Angeles, California
  36. Rancho Mirage, California
  37. New York City
  38. Discover More
  39. Sources and Acknowledgments
  40. About the Author
  41. Praise for Jake Tapper’sThe Devil May Dance
  42. Also by Jake Tapper

“Why? To bring her back to life?” Margaret said. She’d retreated into pure survival mode. “I’m worried about them placing us at the scene. LAPD is already trying to frame us.” She took her foot off the gas pedal.

“The sooner LAPD gets there, the better the chance they have of finding her killer,” Sheryl Ann said.

Margaret considered that. She spotted a phone booth near an empty corner, pulled over, and called the cops. After giving them the address and saying she suspected wrongdoing, she hung up. Next she called Addington White, reversing the charges. When he answered, she offered a quick description of what she’d seen, save for the clue Charlotte had apparently written on the sheet with her own blood. White thanked her for the call and assured her he’d have field agents from the FBI’s Los Angeles office head there at once.

Back in the car, Sheryl Ann directed Margaret to their destination as best she could figure it out: Sunset to Highland to Hollywood Boulevard to Beachwood Drive. The fancy homes they whizzed by came in four styles: Spanish, Mediterranean, French Normandy, English Tudor. One after the other, like the repetitive backgrounds of Bugs Bunny cartoons to which Frankenheimer had once referred.

“Why are you so convinced we need to do this?” Sheryl Ann asked.

“Charlotte told me she had documents that were shocking that she’d taken from the locked file cabinets at work,” Margaret said. “She must not have brought them to her home, though. I’m certain that’s what they were looking for when they killed her.”

“But why are we going to the Hollywood sign?”

“The H she drew in blood on the sheet,” Margaret said. “And her obsession with Peg Entwistle, who jumped from it.”

“Take a left here on Ledgewood,” Sheryl Ann said. “And we’re going to take a quick right to get to Mulholland. How good a hiker are you?”

“I wouldn’t call the incline from the Lower East Side to the Upper East Side particularly steep,” Margaret said. “Except socially.”

They hit the end of the road, parked, and hopped out of the car. The sign was lit above them, but beyond that the mountain was dark. So as to not trip on rocks and brambles, Margaret illuminated the ground in front her of her with her cigarette lighter while Sheryl Ann followed. Behind them, the lights of downtown Los Angeles shimmered as the two women began to scramble up the canyon to the Hollywood sign. They felt as distant and remote as the stars above them.

Chapter Twenty-One

Anaheim, California

April 1962