Back The Devil May Dance
Chapters (42)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. Glendale, California
  6. New York City
  7. New York City
  8. Hollywood, California
  9. Beverly Hills, California
  10. Beverly Hills, California
  11. Las Vegas, Nevada
  12. Las Vegas, Nevada
  13. Los Angeles, California
  14. Rancho Mirage, California
  15. Rancho Mirage, California
  16. Los Angeles, California
  17. Beverly Hills, California
  18. Los Angeles, California
  19. Franklin Canyon, California
  20. New York City
  21. New York City
  22. Los Angeles, California
  23. Anaheim, California
  24. Los Angeles, California
  25. Anaheim, California
  26. Anaheim, California
  27. Santa Monica, California
  28. Santa Monica, California
  29. Santa Monica, California
  30. Santa Monica, California
  31. Santa Monica, California
  32. Santa Monica, California
  33. Santa Monica, California
  34. Los Angeles, California
  35. Los Angeles, California
  36. Rancho Mirage, California
  37. New York City
  38. Discover More
  39. Sources and Acknowledgments
  40. About the Author
  41. Praise for Jake Tapper’sThe Devil May Dance
  42. Also by Jake Tapper

Charlie looked at the warden, worried about his father’s health, secondarily worried about what his father might say.

“You…need—” Winston began to cough; what started as a throat-clearing quickly turned into a deep hacking. Charlie softly patted his father on his shoulder, looking sadly to his wife. What a thing to witness, the rapid erosion of a mountain.

“We think there’s a chance your father may be coming down with pneumonia,” Denno said. “Doctors are watching him around the clock, of course.”

“What doctors?” Margaret asked. “I don’t see any here.”

Denno scanned the room and shrugged. He wandered off, presumably to find one.

Something distant in Winston’s eyes lit up; he leaned into his son. “Trust,” Winston whispered in Charlie’s ear. “Don’t.” He collapsed heavily onto his pillow.

Charlie thought back to when he was a child lying beside his father in bed, listening to serials on the radio Charlie had built by hand in Cub Scouts. They’d started with comedies like Sam ’n’ Henry and The Goldbergs and moved on to dramas: Aunt Jymmie and Her Tots in Tottyville. Eventually they’d graduated to Westerns, do-gooder tales, mysteries, and true-crime: Empire Builders, The Air Adventures of Jimmie Allen, The Adventures of Ellery Queen, The Bishop and the Gargoyle. When a show ended, Charlie would turn off the radio and he and his dad would talk about the plot, the twists, the actors whose voices they’d come to recognize. They were a team, a pair of aficionados, critiquing the sound effects, raising their fingers when a common trope was leaned upon too heavily. Those were some of Charlie’s happiest memories.

Occasionally, on the nights when he smelled as if he’d been pickled in gin, Winston could get a bit silly. The popularity of radio serials exploded in the 1930s, and demand apparently exceeded the supply of new ideas and good writing; Charlie had noted the frequency with which some freshly wounded victim would spit out his last utterance with the only fight left in him, economizing the words so that “The murderer’s name is” would exhaust all remaining oxygen, leaving the identity of the killer a mystery unless the victim was able to point to some object that at first glance made no sense. Charlie would pretend to take one in the gut and then gasp, muttering, evoking laughter from his father. When Winston was sufficiently in his cups, the two would act it out together, collapsing on each other’s chests with the ridiculous last words: “The…murderer’s…name…is…”

Winston’s current state recalled that theatrical shortness of breath; Charlie couldn’t help but smile despite it all. Winston saw him smiling and reached out to touch his cheek.

“Pa,” Winston exhaled.

“Pa?” Charlie asked.